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Paul Andréota

Writer · Died November 14, 2007, aged 89 · La Rochelle, France

Born
December 11, 1917
Died
November 14, 2007 (aged 89)
From
La Rochelle, France
Works as
Writer
Titles
6 on MovieCove · 35 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 156 days to Oct 27Down 37% in 30 days

What are Paul Andréota's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Genres

Comedy3 titlesTypical Midcredits score: 25th percentile
: browse their Comedy movies
Drama2 titlesTypical Midcredits score: 28th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
42%
Self
23%
Power
13%
Bonds
9%
Survival
7%
Society
5%
Identity3 titles, browse their movies with this themeDeception4 titles, browse their movies with this theme

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 4 · Serious 1 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 4 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 4 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 2 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 2 · Some laughs 2 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 2 · Even-paced 4 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 5 · Engaged 1 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
3
Tense
2
Melancholic
1
Thrilling
1
Warm
1
Other
5

How their films linger

Feel-good4 titles, browse their movies with this aftertasteFun4 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end

  • Happy3
  • Bittersweet1
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul Andréota's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Paul Andréota's titles on MovieCove; rent and buy are not counted.

Filmography

35 credits, 6 with a MovieCove page.

  • Marie Pervenche (not in the MovieCove catalog yet)(1984)

    Show 22 episodes · Creator · Writer

  • Légitime défense (not in the MovieCove catalog yet)(1980)

    Dialogue · Writer

  • Police Commissioner Moulin (not in the MovieCove catalog yet)(1976)

    Show 13 episodes · Creator · Writer

  • The Suspects (not in the MovieCove catalog yet)(1974)

    Dialogue

  • Jury of One (not in the MovieCove catalog yet)(1974)

    Writer

  • Far West (not in the MovieCove catalog yet)(1973)

    Screenplay

  • The Lonely Woman (not in the MovieCove catalog yet)(1973)

    Writer

  • Franz (not in the MovieCove catalog yet)(1972)

    Writer

  • Law Breakers (not in the MovieCove catalog yet)(1971)

    Dialogue · Screenplay

  • A Savage Summer (not in the MovieCove catalog yet)(1970)

    Writer

  • Love in the Night (not in the MovieCove catalog yet)(1968)

    Writer

  • The Other Truth (not in the MovieCove catalog yet)(1966)

    Screenplay

  • Nights of Farewell (not in the MovieCove catalog yet)(1965)

    Writer

  • Me and the Forty Year Old Man (not in the MovieCove catalog yet)(1965)

    Writer

  • The Black Tulip(1964)

    Screenplay

    Midcredits score: 67th percentile of all films

  • Don't Tempt the Devil (not in the MovieCove catalog yet)(1963)

    Writer

  • Diesmal muss es Kaviar sein(1961)

    Writer

    Midcredits score: 25th percentile of all films

  • Napoléon II, l'aiglon(1961)

    Writer

    Midcredits score: 11th percentile of all films (provisional, few ratings)

  • Es muss nicht immer Kaviar sein(1961)

    Writer

    Midcredits score: 32nd percentile of all films

  • Paris Loves (not in the MovieCove catalog yet)(1961)

    Writer

  • Julie la rousse (not in the MovieCove catalog yet)(1959)

    Writer

  • Dangerous Games (not in the MovieCove catalog yet)(1958)

    Screenplay

  • Every Day Has Its Secret (not in the MovieCove catalog yet)(1958)

    Writer

  • The Stowaway (not in the MovieCove catalog yet)(1958)

    Screenplay

  • Sinners of Paris (not in the MovieCove catalog yet)(1958)

    Screenplay

  • La Peau de l'ours (not in the MovieCove catalog yet)(1957)

    Writer

  • The Blonde Witch (not in the MovieCove catalog yet)(1956)

    Writer

  • Club of Women (not in the MovieCove catalog yet)(1956)

    Writer

  • Blackmail (not in the MovieCove catalog yet)(1955)

    Dialogue

  • Intermediate Landing in Paris (not in the MovieCove catalog yet)(1955)

    Writer

  • Queen Margot(1954)

    Writer

    Midcredits score: 45th percentile of all films

  • Orient Express (not in the MovieCove catalog yet)(1954)

    Screenplay

  • The Bed(1954)

    Screenplay

    Midcredits score: 8th percentile of all films (provisional, few ratings)

  • Companions of the Night (not in the MovieCove catalog yet)(1953)

    Dialogue

  • Prelude to Glory (not in the MovieCove catalog yet)(1950)

    Writer

Career shape

A full career of 35 titles from 1950 to 1984.

Highest rated

The Black Tulip (1964)

Midcredits 67th

By role

only this rolewith another role
Writing35 of 35: 33 only writing, 2 with another role · typical Midcredits score29thOther crew2 of 35: 0 only other crew, 2 with another role

By decade

1950s15 · crew1960s10 · crew1970s8 · crew1980s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Paul Andréota's films land?

Their typical MovieCove film has a Midcredits score in the 29th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 30th percentile for acclaim.

Acclaim · how much people like their films

30thpercentile
Typical film, the median of 6

Approval · how many liked their films

30thpercentile
Typical film, the median of 6

Reach · how many have seen their films

26thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 50th to 74th1
  • 25th to 49th3
  • Below 25th2

Shape of the crowd

None of their 6 titles divides audiences: 5 are Mixed.

  • Crowd Pleaser1
  • Mixed5

Most loved · writer

The Black Tulip (1964)

Midcredits 67th · 61% liked

Reviewers score the dialogue 47/100 and the plot and story 42/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul Andréota work with?

People who share at least 2 of Paul Andréota's MovieCove titles, grouped by what they did on them; Henri Jeanson shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers