Geneviève Cluny

What are Geneviève Cluny's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Geneviève Cluny's films?

As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.

• The Criterion Channel1 title, browse their movies on this service
  • A Woman Is a Woman (1961) · writer

Subscription and free streaming for Geneviève Cluny's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 6 with a MovieCove page.

• 

  House of Cards(1968)

  as Veronique

  Midcredits score: 42nd percentile of all films42^nd
• 

  Agent 505 - Death Trap Beirut (not in the MovieCove catalog yet)(1966)

  as Denise
• 

  Wenn man baden geht auf Teneriffa (not in the MovieCove catalog yet)(1964)

  as Jutta
• 

  Ferien vom Ich (not in the MovieCove catalog yet)(1963)

  as Florentine
• Wochentags immer (not in the MovieCove catalog yet)(1963)

  as Jery
• 

  People in Luck (not in the MovieCove catalog yet)(1963)

  as Patricia Padington (segment "Une nuit avec la vedette")
• 

  The Merry Widow (not in the MovieCove catalog yet)(1962)

  as Valencienne
• 

  The Girls of La Rochelle (not in the MovieCove catalog yet)(1962)

  as Hildegarde
• 

  Diesmal muss es Kaviar sein(1961)

  as Mimi

  Midcredits score: 25th percentile of all films25^th
• 

  Es muss nicht immer Kaviar sein(1961)

  as Mimi

  Midcredits score: 32nd percentile of all films32^nd
• 

  A Woman Is a Woman(1961)

  Original Story

  Midcredits score: 90th percentile of all films90^th
• 

  Réveille-toi, chérie (not in the MovieCove catalog yet)(1961)

  as Jaqueleine
• 

  The Joker (not in the MovieCove catalog yet)(1961)

  as Pilou Berlon
• 

  The Love Game (not in the MovieCove catalog yet)(1960)

  Idea · as Suzanne
• 

  Stop the Massacre (not in the MovieCove catalog yet)(1959)

  as Solange
• 

  Witness in the City(1959)

  as Announcer

  Midcredits score: 79th percentile of all films79^th
• 

  The Cousins (not in the MovieCove catalog yet)(1959)

  as Geneviève
• 

  Le Tombeur !!! (not in the MovieCove catalog yet)(1958)

  as Babette Olivaro
• 

  Donnez-moi ma chance(1957)

  as Jacqueline

  Midcredits score: 39th percentile of all films39^th
• 

  A Friend of the Family (not in the MovieCove catalog yet)(1957)

  as Lola
• 

  My Priest Among the Poor (not in the MovieCove catalog yet)(1956)

  as Régine
• 

  L'honneur est sauf ! (not in the MovieCove catalog yet)(1954)

  as L'épouse indigne

Career shape

Star power in the 62^nd percentile of 239,109 people with a billed film role, over a full career of 22 titles from 1954 to 1968.

Biggest box office

A Woman Is a Woman (1961)

$211K worldwide

Highest rated

A Woman Is a Woman (1961)

Midcredits 90^th

How do Geneviève Cluny's films land?

Their typical MovieCove film has a Midcredits score in the 41^st percentile, the median of all 6; across a limited sample of 4 films with reception data, the typical film sits in the 38^th percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 2 are Crowd Pleasers.

222

• Crowd Pleaser2
• Broadly Agreed2
• Mixed2

Most loved · writer

A Woman Is a Woman (1961)

Midcredits 90^th · 77% liked

Reviewers score the acting 63/100 in their films, across 3 reviewed titles; fans 72, detractors 40. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Geneviève Cluny work with?

People who share at least 2 of Geneviève Cluny's MovieCove titles, grouped by what they did on them; Georg Marischka shares the most, 2.