
Eva Bartok
Actor · Died August 1, 1998, aged 71 · Budapest, Hungary
From Wikipedia, the free encyclopedia. Eva Bartok (18 June 1927 – 1 August 1998), born Eva Ivanova Szöke, was an actress born in Budapest, Hungary. She began acting in films in 1950 and her last credited appearance was in 1966. She is best known for appearances in Blood and Black Lace, The Crimson Pirate, Operation Amsterdam, and Ten Thousand Bedrooms. Description above from the Wikipedia article Eva Bartok, licensed under CC-BY-SA, full list of contributors on Wikipedia.
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Biography from TMDB.
- June 18, 1927
- August 1, 1998 (aged 71)
- Budapest, Hungary
- Actor
- 12 on MovieCove · 36 credits in all
What are Eva Bartok's films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 10
A split, not a type: Light 5 · Serious 4 · Dark 3
A split, not a type: Grounded 7 · Stylized 3 · Heightened 2
Gentle 4 · Charged 6 · Intense 2
Steady 6 · Shifting 5 · Whiplash 1
A split, not a type: Straight-faced 6 · Some laughs 4 · Funny 2
Slow burn 5 · Even-paced 7 · Relentless 0
Casual 6 · Engaged 6 · Full focus 0
Easy watch 9 · Affecting 2 · Heavy 1
Resolved 8 · Open-ended 4 · Ambiguous 0
Roles they play
Usually the Ally: 2 of 6 analyzed roles.
- Mentoras Adriana Medova in The Assassin (1952)
- Allyas Dr. Lisa Frank in Spaceways (1953)
- Shapeshifteras Kapitän Alexandra Kasalinskaja in Der Arzt von Stalingrad (1958)
- Shapeshifteras Anna in Operation Amsterdam (1959)
- Allyas Vera in Es muss nicht immer Kaviar sein (1961)
- Tricksteras La contessa Cristiana Cuomo in Blood and Black Lace (1964)
Moods and endings
- Happy7
- Bittersweet4
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Eva Bartok's films?
As of October 24, 2026, 4 of their 12 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Eva Bartok's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
36 credits, 12 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

Blood and Black Lace(1964)
Midcredits score: 85th percentile of all filmsVacation as Never Before (not in the MovieCove catalog yet)(1963)

Adventure at the Motel (not in the MovieCove catalog yet)(1963)

Eheinstitut Aurora (not in the MovieCove catalog yet)(1962)
Midcredits score: 25th percentile of all films
Midcredits score: 32nd percentile of all films
Blind Justice (not in the MovieCove catalog yet)(1961)

Ti aspetterò all'inferno (not in the MovieCove catalog yet)(1960)

Beyond the Curtain (not in the MovieCove catalog yet)(1960)
Ein Student ging vorbei (not in the MovieCove catalog yet)(1960)

SOS Pacific (not in the MovieCove catalog yet)(1959)

Douze heures d'horloge(1959)
Midcredits score: 27th percentile of all films
Operation Amsterdam(1959)
Midcredits score: 57th percentile of all films
Naked in the Night (not in the MovieCove catalog yet)(1958)

Der Arzt von Stalingrad(1958)
Midcredits score: 49th percentile of all films
Ten Thousand Bedrooms(1957)
Midcredits score: 25th percentile of all films
The Gamma People (not in the MovieCove catalog yet)(1956)

Through the Forests and Through the Trees (not in the MovieCove catalog yet)(1956)
On Trial (not in the MovieCove catalog yet)(1956)
Ohne Dich wird es Nacht (not in the MovieCove catalog yet)(1956)
Dunja (not in the MovieCove catalog yet)(1955)

Special Delivery (not in the MovieCove catalog yet)(1955)

Break in the Circle(1955)
Midcredits score: 5th percentile of all films
Orient Express (not in the MovieCove catalog yet)(1954)

Circus of Love (not in the MovieCove catalog yet)(1954)

Front Page Story (not in the MovieCove catalog yet)(1954)

Meines Vaters Pferde, 1. Teil: Lena und Nicoline (not in the MovieCove catalog yet)(1954)

Viktoria und ihr Husar (not in the MovieCove catalog yet)(1954)

Park Plaza 605 (not in the MovieCove catalog yet)(1953)

The Last Waltz (not in the MovieCove catalog yet)(1953)

Spaceways(1953)
Midcredits score: 11th percentile of all films
General Electric Theater (not in the MovieCove catalog yet)(1953)

The Assassin(1952)
Midcredits score: 51st percentile of all films
The Crimson Pirate(1952)
Midcredits score: 86th percentile of all films
A Tale of Five Women(1951)
Midcredits score: 10th percentile of all films
The Prophet of the Fields (not in the MovieCove catalog yet)(1947)
Career shape
Star power in the 79th percentile of 239,109 people with a billed film role, over a full career of 36 titles from 1947 to 1964.

Biggest box office
The Crimson Pirate (1952)

Highest rated
The Crimson Pirate (1952)

Most popular right now
Blood and Black Lace (1964)
Film career
- 1952Screen debut· The Crimson Pirate
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Eva Bartok's films land?
Their typical MovieCove film has a Midcredits score in the 30th percentile, the median of all 12; across their 12 films with reception data, the typical film sits in the 30th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th5
- Below 25th3
Shape of the crowd
None of their 12 titles divides audiences: 4 are Crowd Pleasers.
- Crowd Pleaser4
- Broadly Agreed4
- Mixed4
Reviewers score the acting 56/100 in their films, across 10 reviewed titles; fans 65, detractors 40. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Eva Bartok work with?
People who share at least 2 of Eva Bartok's MovieCove titles, grouped by what they did on them; Géza von Radványi shares the most, 4.
Directors
- Géza von RadványiShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961), Douze heures d'horloge (1959), Der Arzt von Stalingrad (1958)See all 4 shared titles with Géza von Radványi

- Georg MarischkaShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Georg Marischka

- Helmut KäutnerShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Helmut Käutner

Writers
- Henri JeansonShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Henri Jeanson

- Jean FerryShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Jean Ferry
- Johannes Mario SimmelShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Johannes Mario Simmel
- Paul AndréotaShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Paul Andréota
Actors
- Geneviève ClunyShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Geneviève Cluny

- O.W. FischerShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with O.W. Fischer

- Peter CarstenShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Peter Carsten

- Senta BergerShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Senta Berger

Composers, cinematographers and editors
- Friedl Behn-GrundShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961), A Tale of Five Women (1951)See all 3 shared titles with Friedl Behn-Grund
- Rolf A. WilhelmShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Rolf A. Wilhelm
- Walter WischniewskyShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Walter Wischniewsky
- Reginald H. WyerShared titles: Operation Amsterdam (1959), Spaceways (1953)See all 2 shared titles with Reginald H. Wyer
Producers
- Artur BraunerShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Artur Brauner

- Georg M. ReutherShared titles: Diesmal muss es Kaviar sein (1961), Es muss nicht immer Kaviar sein (1961)See all 2 shared titles with Georg M. Reuther
- Earl St. JohnShared titles: Operation Amsterdam (1959), The Assassin (1952)See all 2 shared titles with Earl St. John

- Michael CarrerasShared titles: Break in the Circle (1955), Spaceways (1953)See all 2 shared titles with Michael Carreras


