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Adriano Baracco

Writer

Works as
Writer
Titles
7 on MovieCove · 22 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 38% in 30 days

What are Adriano Baracco's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Society.

Themes

share of theme weight
Morality
30%
Society
28%
Power
16%
Bonds
13%
Self
13%
Faith3 titles, browse their movies with this themeRedemption2 titles, browse their movies with this themeGreed2 titles, browse their movies with this themeDeception2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 3 · Wry 1 · Earnest 1

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 6 · Serious 1 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 6 · Intense 0

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 4 · Shifting 2 · Whiplash 1

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 2 · Funny 5

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 1 · Even-paced 5 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 4 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
5
Joyful
3
Thrilling
2
Warm
2
Contemplative
1
Other
4

How their films linger

Fun5 titles, browse their movies with this aftertasteFeel-good5 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy4
  • Bittersweet2
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Adriano Baracco's films?

As of October 24, 2026, 2 of their 7 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Adriano Baracco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

22 credits, 7 with a MovieCove page.

  • Don Camillo e i giovani d'oggi(1972)

    Co-Writer

    Midcredits score: 17th percentile of all films

  • Come Have Coffee with Us(1970)

    Screenplay

    Midcredits score: 69th percentile of all films

  • A Brief Season (not in the MovieCove catalog yet)(1969)

    Writer

  • The Archangel (not in the MovieCove catalog yet)(1969)

    Screenplay

  • The Black Sheep (not in the MovieCove catalog yet)(1968)

    Screenplay

  • Better a Widow (not in the MovieCove catalog yet)(1968)

    Writer

  • Gangsters '70 (not in the MovieCove catalog yet)(1968)

    Writer

  • Danger: Diabolik(1968)

    Story

    Midcredits score: 67th percentile of all films

  • Operazione San Pietro(1967)

    Screenplay · Story

    Midcredits score: 10th percentile of all films

  • Ghosts, Italian Style (not in the MovieCove catalog yet)(1967)

    Screenplay

  • Arabella(1967)

    Writer

    Midcredits score: 14th percentile of all films

  • The Treasure of San Gennaro(1966)

    Screenplay

    Midcredits score: 81st percentile of all films

  • Ischia operazione amore (not in the MovieCove catalog yet)(1966)

    Screenplay

  • Me, Me, Me... and the Others(1966)

    Screenplay

    Midcredits score: 49th percentile of all films

  • Spy in Your Eye (not in the MovieCove catalog yet)(1965)

    Writer

  • Intrigue in Los Angeles (not in the MovieCove catalog yet)(1964)

    Writer

  • Il treno del sabato (not in the MovieCove catalog yet)(1964)

    Writer

  • 38-24-36 (not in the MovieCove catalog yet)(1963)

    Writer

  • Beach Casanova (not in the MovieCove catalog yet)(1962)

    Screenplay

  • Benito Mussolini: Anatomy of a Dictator (not in the MovieCove catalog yet)(1962)

    Co-Director

  • Gente felice (not in the MovieCove catalog yet)(1957)

    Screenplay

  • A Woman Alone (not in the MovieCove catalog yet)(1955)

    Writer

Career shape

A full career of 22 titles from 1955 to 1972.

Biggest box office

Danger: Diabolik (1968)

$1K worldwide

Highest rated

The Treasure of San Gennaro (1966)

Midcredits 81st

Most popular right now

Danger: Diabolik (1968)

By role

only this rolewith another role
Directing1 of 22: 1 only directing, 0 with another roleWriting21 of 22: 21 only writing, 0 with another role · typical Midcredits score49th

By decade

1950s2 · crew1960s18 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Adriano Baracco's films land?

Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 43rd percentile for acclaim.

Acclaim · how much people like their films

43rdpercentile
Typical film, the median of 7

Approval · how many liked their films

55thpercentile
Typical film, the median of 7

Reach · how many have seen their films

34thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th2
  • 25th to 49th1
  • Below 25th3

Shape of the crowd

None of their 7 titles divides audiences: 4 are Crowd Pleasers.

  • Crowd Pleaser4
  • Mixed3

Most loved · writer

The Treasure of San Gennaro (1966)

Midcredits 81st · 71% liked

Reviewers score the dialogue 46/100 and the plot and story 48/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Adriano Baracco work with?

People who share at least 2 of Adriano Baracco's MovieCove titles, grouped by what they did on them; Leonardo Benvenuti shares the most, 2.

Writers

Actors

Composers and editors

Producers