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Alfredo Bini

Alfredo Bini

Producer · Died October 16, 2010, aged 83 · Livorno, Tuscany, Italy

Born
December 12, 1926
Died
October 16, 2010 (aged 83)
From
Livorno, Tuscany, Italy
Works as
Producer
Titles
16 on MovieCove · 49 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 31% in 30 days

What are Alfredo Bini's films like?

Across their 12 MovieCove titles with a thematic analysis, their films lean Power and Self.

Genres

Comedy4 titlesTypical Midcredits score: 86th percentile, at or above their average across these genres
: browse their Comedy movies
Drama3 titlesTypical Midcredits score: 95th percentile, at or above their average across these genres
: browse their Drama movies
Adventure2 titlesTypical Midcredits score: 19th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Power
29%
Self
20%
Bonds
15%
Morality
15%
Ideas
11%
Survival
7%
Society
2%
Fate2 titles, browse their movies with this themeOppression2 titles, browse their movies with this themeClass3 titles, browse their movies with this themeIdentity3 titles, browse their movies with this themeSurvival2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 12 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 4 · Serious 1 · Dark 7

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 4 · Stylized 6 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 7 · Intense 4

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 6 · Whiplash 2

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 6 · Some laughs 4 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

A split, not a type: Slow burn 6 · Even-paced 4 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 2 · Engaged 9 · Full focus 1

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 3 · Affecting 3 · Heavy 6

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 8 · Open-ended 2 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
7
Melancholic
5
Absurd
3
Contemplative
3
Joyful
2
Other
9

How their films linger

Haunting7 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteDevastating3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertasteFun2 titles, browse their movies with this aftertasteUnsettling2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy3
  • Bittersweet2
  • Tragic4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alfredo Bini's films?

As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (6).

Also on these channels

Subscription and free streaming for Alfredo Bini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

49 credits, 16 with a MovieCove page; 3 appearances as themselves are hidden until asked for.

  • Marco Polo (not in the MovieCove catalog yet)(1982)

    Show 8 episodes · Production Consultant

  • Banana Republic (not in the MovieCove catalog yet)(1979)

    Producer · Writer

  • Black Velvet (not in the MovieCove catalog yet)(1976)

    Producer

  • The Woman with Red Boots (not in the MovieCove catalog yet)(1974)

    Producer

  • Charlotte (not in the MovieCove catalog yet)(1974)

    Producer

  • Lancelot of the Lake(1974)

    Producer

    Midcredits score: 76th percentile of all films

  • Noa Noa (not in the MovieCove catalog yet)(1974)

    Producer

  • Codice d'amore orientale (not in the MovieCove catalog yet)(1974)

    Producer · Story

  • The Man Called Noon(1973)

    Producer

    Midcredits score: 37th percentile of all films

  • The Heroes(1973)

    Producer

    Midcredits score: 9th percentile of all films

  • The Black Decameron (not in the MovieCove catalog yet)(1972)

    Producer

  • In Love, Every Pleasure Has Its Pain (not in the MovieCove catalog yet)(1971)

    Producer

  • A Bay of Blood(1971)

    Producer

    Midcredits score: 62nd percentile of all films

  • The Big Black Sow (not in the MovieCove catalog yet)(1971)

    Producer

  • The Snake God (not in the MovieCove catalog yet)(1970)

    Producer

  • Check to the Queen (not in the MovieCove catalog yet)(1969)

    Producer

  • The Two Kennedys (not in the MovieCove catalog yet)(1969)

    Producer

  • Simón Bolívar (not in the MovieCove catalog yet)(1969)

    Producer

  • The Degenerates (not in the MovieCove catalog yet)(1969)

    Producer

  • Bora Bora(1968)

    Producer

    Midcredits score: 10th percentile of all films

  • The Rover (not in the MovieCove catalog yet)(1967)

    Producer

  • Oedipus Rex(1967)

    Producer

    Midcredits score: 87th percentile of all films

  • The Big Hit of Surcouf (not in the MovieCove catalog yet)(1966)

    Producer

  • The Witch(1966)

    Producer

    Midcredits score: 63rd percentile of all films

  • El Greco (not in the MovieCove catalog yet)(1966)

    Producer

  • The Hawks and the Sparrows (not in the MovieCove catalog yet)(1966)

    Producer

  • A Woman in White Revolts (not in the MovieCove catalog yet)(1966)

    Producer

  • The Sea Pirate(1966)

    Producer

    Midcredits score: 28th percentile of all films

  • The Mandrake (not in the MovieCove catalog yet)(1965)

    Producer

  • Scouting in Palestine (not in the MovieCove catalog yet)(1965)

    Producer

  • Love Meetings (not in the MovieCove catalog yet)(1965)

    Producer

  • The Gospel According to St. Matthew(1964)

    Producer

    Midcredits score: 94th percentile of all films

  • Corruption (not in the MovieCove catalog yet)(1963)

    Producer

  • Illibatezza (not in the MovieCove catalog yet)(1963)

    Producer

  • Ro.Go.Pa.G.(1963)

    Producer

    Midcredits score: 79th percentile of all films

  • La bella di Lodi (not in the MovieCove catalog yet)(1963)

    Producer

  • Notti calde d'Oriente (not in the MovieCove catalog yet)(1962)

    Producer

  • Mamma Roma(1962)

    Producer

    Midcredits score: 97th percentile of all films

  • La bellezza di Ippolita (not in the MovieCove catalog yet)(1962)

    Producer

  • The New Angels (not in the MovieCove catalog yet)(1962)

    Producer

  • A cavallo della tigre(1961)

    Producer

    Midcredits score: 85th percentile of all films

  • Accattone(1961)

    Producer

    Midcredits score: 95th percentile of all films

  • The Lovemakers (not in the MovieCove catalog yet)(1961)

    Producer

  • Bell' Antonio(1960)

    Producer

    Midcredits score: 87th percentile of all films

  • The Law Is the Law(1958)

    Producer · Production Manager

    Midcredits score: 88th percentile of all films

  • Toto and Marcellino (not in the MovieCove catalog yet)(1958)

    Production Manager

  • Man of Straw(1958)

    Line Producer

    Midcredits score: 85th percentile of all films

  • Il prezzo della gloria (not in the MovieCove catalog yet)(1956)

    Production Manager

  • The Bandit of Tacca del Lupo (not in the MovieCove catalog yet)(1952)

    as Soldato toscano

Career shape

A full career of 49 titles from 1952 to 1982.

Biggest box office

The Gospel According to St. Matthew (1964)

$17K worldwide

Highest rated

Mamma Roma (1962)

Midcredits 97th

Most popular right now

The Gospel According to St. Matthew (1964)

By role

only this rolewith another role
Acting1 of 49: 1 only acting, 0 with another roleWriting2 of 49: 0 only writing, 2 with another roleProducing44 of 49: 42 only producing, 2 with another role · typical Midcredits score79thOther crew4 of 49: 4 only other crew, 0 with another role

By decade

1950s5 · 1 acting · 4 crew1960s29 · crew1970s14 · crew1980s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alfredo Bini's films land?

Their typical MovieCove film has a Midcredits score in the 82nd percentile, the median of all 16; across their 12 films with reception data, the typical film sits in the 84th percentile for acclaim.

Acclaim · how much people like their films

84thpercentile
Typical film, the median of 12

Approval · how many liked their films

84thpercentile
Typical film, the median of 12

Reach · how many have seen their films

59thpercentile
Typical film, the median of 12

Midcredits score across 16 titles, by percentile

  • 75th and up10
  • 50th to 74th2
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

9 of their 16 titles are Crowd Pleasers.

  • Universally Loved3
  • Crowd Pleaser9
  • Broadly Agreed1
  • Mixed3

Most divisive · producer

Bora Bora (1968)

72nd percentile spread · 47% rated it 4 or lower

Most loved · producer

Mamma Roma (1962)

Midcredits 97th · 86% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alfredo Bini's work okay for kids?

Across a limited sample of up to 3 MovieCove titles with content scores.

Their medianMedian of all films
Sex & Nudity3 titlesmedian 52 · moderateMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Alfredo Bini work with?

People who share at least 2 of Alfredo Bini's MovieCove titles, grouped by what they did on them; Nino Baragli shares the most, 8.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers