Robert Chabert

What are Robert Chabert's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Bonds and Society.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Robert Chabert's films?

As of October 24, 2026, 1 of their 6 MovieCove titles stream on a subscription or free service.

• Prime Video1 title, browse their movies on this service
  • Imperial Venus (1962) · producer
• Tubi1 title, browse their movies on this service
  • Imperial Venus (1962) · producer · free

Subscription and free streaming for Robert Chabert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

6 credits, 6 with a MovieCove page.

• 

  Imperial Venus(1962)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  Don Camillo monsignore... ma non troppo(1961)

  Producer

  Midcredits score: 81st percentile of all films81^st
• 

  Trapped by Fear(1960)

  Producer

  Midcredits score: 33rd percentile of all films33^rd
• 

  The Law Is the Law(1958)

  Producer

  Midcredits score: 88th percentile of all films88^th
• 

  Lucrèce Borgia(1953)

  Producer

  Midcredits score: 21st percentile of all films21^st
• 

  The Little World of Don Camillo(1952)

  Producer

  Midcredits score: 94th percentile of all films94^th

Career shape

Across their 6 MovieCove titles from 1952 to 1962.

Highest rated

The Little World of Don Camillo (1952)

Midcredits 94^th

How do Robert Chabert's films land?

Their typical MovieCove film has a Midcredits score in the 57^th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 62^nd percentile for acclaim.

Shape of the crowd

None of their 6 titles divides audiences: 2 are Crowd Pleasers.

1212

• Universally Loved1
• Crowd Pleaser2
• Broadly Agreed1
• Mixed2

Most loved · producer

The Little World of Don Camillo (1952)

Midcredits 94^th · 83% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Robert Chabert work with?

People who share at least 2 of Robert Chabert's MovieCove titles, grouped by what they did on them; Angelo Rizzoli shares the most, 4.