- Producer and writer
- 3 on MovieCove
Known for
What are Esther Wouda's films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Society and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 1 · Serious 1 · Dark 1
A split, not a type: Grounded 2 · Stylized 0 · Heightened 1
Gentle 1 · Charged 2 · Intense 0
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 0
Slow burn 1 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 1 · Full focus 1
Easy watch 1 · Affecting 2 · Heavy 0
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Esther Wouda's films?
As of October 24, 2026, 1 of their 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Esther Wouda's titles on MovieCove; rent and buy are not counted.
Filmography
3 credits, 3 with a MovieCove page.
Cosmos Laundromat(2015)
Midcredits score: 70th percentile of all films
Offside(2006)
Midcredits score: 42nd percentile of all films
De ordening(2003)
Midcredits score: 53rd percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 2003 to 2015.
How do Esther Wouda's films land?
Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 54th percentile for acclaim.
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
2 of their 3 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser2
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Esther Wouda work with?
People who share at least 2 of Esther Wouda's MovieCove titles, grouped by what they did on them; Paleis van Boem shares the most, 2.
Composers
- Paleis van BoemShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Paleis van Boem
Producers
- Bert NijdamShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Bert Nijdam
- Hans de WeersShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Hans de Weers
- Hans de WolfShared titles: Offside (2006), De ordening (2003)See all 2 shared titles with Hans de Wolf