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Leo Cevenini

Producer

Works as
Producer
Titles
4 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 9% in 30 days

What are Leo Cevenini's films like?

Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Morality and Power.

Themes

share of theme weight
Morality
63%
Power
30%
Bonds
7%
Justice2 titles, browse their movies with this themeGreed2 titles, browse their movies with this themeDeception2 titles, browse their movies with this theme

What they feel like to watch

their average across 3 films
ToneFeelDemandtheir average · filled zone: the category
Wry: How sincerely it treats its story and characters, from ironic to earnest. Browse their wry movies.
Tone · Sincerity
ironicearnest

A split, not a type: Ironic 1 · Wry 0 · Earnest 2

Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 2 · Serious 1 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 0 · Stylized 1 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 2 · Intense 0

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 1 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 0 · Some laughs 2 · Funny 1

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 3 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 0 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Thrilling
2
Absurd
1
Joyful
1
Romantic
1
Contemplative
1

How their films linger

Fun3 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Leo Cevenini's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Leo Cevenini's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 4 with a MovieCove page.

  • Il sergente Rompiglioni (not in the MovieCove catalog yet)(1973)

    Producer

  • The Inconsolable Widow Thanks All Those Who Consoled Her(1973)

    Producer

    Midcredits score: 15th percentile of all films

  • I due assi del guantone (not in the MovieCove catalog yet)(1971)

    Producer

  • Ma che musica maestro (not in the MovieCove catalog yet)(1971)

    Producer

  • The Two Wizards of the Ball (not in the MovieCove catalog yet)(1970)

    Producer

  • Have a Good Funeral, My Friend... Sartana Will Pay(1970)

    Producer

    Midcredits score: 65th percentile of all films

  • Satiricosissimo (not in the MovieCove catalog yet)(1970)

    Producer

  • Zingara (not in the MovieCove catalog yet)(1969)

    Producer

  • The Nephews of Zorro (not in the MovieCove catalog yet)(1968)

    Producer

  • To Hell and Back(1968)

    Producer

    Midcredits score: 17th percentile of all films

  • The Sicily Barbers (not in the MovieCove catalog yet)(1967)

    Producer

  • I due sanculotti (not in the MovieCove catalog yet)(1966)

    Producer

  • The Invincible (not in the MovieCove catalog yet)(1966)

    Writer

  • I due toreri (not in the MovieCove catalog yet)(1964)

    Producer

  • The Black Tulip(1964)

    Executive Producer

    Midcredits score: 67th percentile of all films

  • The Corsican Brothers (not in the MovieCove catalog yet)(1961)

    Producer

  • Psycosissimo (not in the MovieCove catalog yet)(1961)

    Producer

  • We Like It Cold (not in the MovieCove catalog yet)(1960)

    Producer

  • Il padrone delle ferriere (not in the MovieCove catalog yet)(1959)

    Producer

  • Napoli sole mio (not in the MovieCove catalog yet)(1958)

    Production Coordinator

  • Guaglione (not in the MovieCove catalog yet)(1956)

    Producer

  • Night of Love (not in the MovieCove catalog yet)(1954)

    Producer

  • Lieutenant Giorgio (not in the MovieCove catalog yet)(1952)

    Producer

  • Il caimano del Piave (not in the MovieCove catalog yet)(1951)

    Producer

  • Il bacio di una morta (not in the MovieCove catalog yet)(1949)

    Producer

  • La sepolta viva (not in the MovieCove catalog yet)(1949)

    Producer

Career shape

A full career of 26 titles from 1949 to 1973.

Highest rated

The Black Tulip (1964)

Midcredits 67th

By role

only this rolewith another role
Writing1 of 26: 1 only writing, 0 with another roleProducing24 of 26: 24 only producing, 0 with another roleOther crew1 of 26: 1 only other crew, 0 with another role

By decade

1940s2 · crew1950s6 · crew1960s11 · crew1970s7 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do Leo Cevenini's films land?

Their typical MovieCove film has a Midcredits score in the 41st percentile, the median of all 4; across a limited sample of 3 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 3

Approval · how many liked their films

62ndpercentile
Typical film, the median of 3

Reach · how many have seen their films

64thpercentile
Typical film, the median of 3

Midcredits score across 4 titles, by percentile

  • 50th to 74th2
  • Below 25th2

Shape of the crowd

None of their 4 titles divides audiences: 2 are Crowd Pleasers.

  • Crowd Pleaser2
  • Broadly Agreed1
  • Mixed1

Most loved · producer

The Black Tulip (1964)

Midcredits 67th · 61% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Leo Cevenini work with?

People who share at least 2 of Leo Cevenini's MovieCove titles, grouped by what they did on them; Vittorio Martino shares the most, 3.

Composers and editors

Producers