Vittorio Martino
- Producer
- 4 on MovieCove
What are Vittorio Martino's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 3
A split, not a type: Light 2 · Serious 1 · Dark 1
Grounded 0 · Stylized 2 · Heightened 2
Gentle 1 · Charged 2 · Intense 1
Steady 2 · Shifting 2 · Whiplash 0
Straight-faced 1 · Some laughs 2 · Funny 1
Slow burn 0 · Even-paced 4 · Relentless 0
Casual 3 · Engaged 1 · Full focus 0
Easy watch 3 · Affecting 0 · Heavy 1
Resolved 3 · Open-ended 0 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Vittorio Martino's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Vittorio Martino's titles on MovieCove; rent and buy are not counted.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 15th percentile of all films
Midcredits score: 68th percentile of all films
Midcredits score: 65th percentile of all films
The Black Tulip(1964)
Midcredits score: 67th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1964 to 1973.
How do Vittorio Martino's films land?
Their typical MovieCove film has a Midcredits score in the 66th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 65th percentile for acclaim.
- 50th to 74th3
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Vittorio Martino work with?
People who share at least 2 of Vittorio Martino's MovieCove titles, grouped by what they did on them; Bruno Nicolai shares the most, 3.
Actors
- Edwige FenechShared titles: The Inconsolable Widow Thanks All Those Who Consoled Her (1973), They're Coming to Get You! (1972)See all 2 shared titles with Edwige Fenech
- Jorge RigaudShared titles: They're Coming to Get You! (1972), The Black Tulip (1964)See all 2 shared titles with Jorge Rigaud
Composers and editors
- Bruno NicolaiShared titles: The Inconsolable Widow Thanks All Those Who Consoled Her (1973), They're Coming to Get You! (1972), Have a Good Funeral, My Friend... Sartana Will Pay (1970)See all 3 shared titles with Bruno Nicolai
- Giuliana AttenniShared titles: The Inconsolable Widow Thanks All Those Who Consoled Her (1973), Have a Good Funeral, My Friend... Sartana Will Pay (1970)See all 2 shared titles with Giuliana Attenni
Producers
- Leo CeveniniShared titles: The Inconsolable Widow Thanks All Those Who Consoled Her (1973), Have a Good Funeral, My Friend... Sartana Will Pay (1970), The Black Tulip (1964)See all 3 shared titles with Leo Cevenini
- Mino LoyShared titles: They're Coming to Get You! (1972), Have a Good Funeral, My Friend... Sartana Will Pay (1970)See all 2 shared titles with Mino Loy
