Giuliana Attenni

What are Giuliana Attenni's films like?

Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Giuliana Attenni's films?

As of October 24, 2026, 3 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (2).

• Tubi2 titles, browse their movies on this service
  • Werewolf in a Girls' Dormitory (1961) · editor · free
  • I grandi condottieri (1965) · editor · free
• Prime Video1 title, browse their movies on this service
  • Werewolf in a Girls' Dormitory (1961) · editor · free

Subscription and free streaming for Giuliana Attenni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

10 credits, 10 with a MovieCove page.

• 

  The Inconsolable Widow Thanks All Those Who Consoled Her(1973)

  Editor

  Midcredits score: 15th percentile of all films15^th
• 

  Have a Good Funeral, My Friend... Sartana Will Pay(1970)

  Editor

  Midcredits score: 65th percentile of all films65^th
• 

  I grandi condottieri(1965)

  Editor

  Midcredits score: 10th percentile of all films10^th
• 

  Saul e David(1964)

  Editor

  Midcredits score: 23rd percentile of all films23^rd
• 

  Werewolf in a Girls' Dormitory(1961)

  Editor

  Midcredits score: 11th percentile of all films11^th
• 

  Letto a tre piazze(1960)

  Editor

  Midcredits score: 75th percentile of all films75^th
• 

  Sins of Casanova(1955)

  Editor

  Midcredits score: 23rd percentile of all films23^rd
• 

  A Day in Court(1954)

  Editor

  Midcredits score: 62nd percentile of all films62^nd
• 

  An American in Rome(1954)

  Editor

  Midcredits score: 78th percentile of all films78^th
• 

  Flesh Will Surrender(1947)

  Editor

  Midcredits score: 75th percentile of all films75^th

Career shape

Across their 10 MovieCove titles from 1947 to 1973.

Highest rated

An American in Rome (1954)

Midcredits 78^th

Most popular right now

Have a Good Funeral, My Friend... Sartana Will Pay (1970)

How do Giuliana Attenni's films land?

Their typical MovieCove film has a Midcredits score in the 43^rd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 41^st percentile for acclaim.

Shape of the crowd

5 of their 10 titles are Crowd Pleasers.

54

• Cult Classic1
• Crowd Pleaser5
• Mixed4

Most divisive · editor

Saul e David (1964)

71^st percentile spread · 30% rated it 4 or lower

Most loved · editor

An American in Rome (1954)

Midcredits 78^th · 70% liked

Reviewers score the pacing 42/100 in their films, across 5 reviewed titles; fans 51, detractors 28. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Giuliana Attenni work with?

People who share at least 2 of Giuliana Attenni's MovieCove titles, grouped by what they did on them; Steno shares the most, 4.