Claudio Cirillo
- Cinematographer
- 18 on Motif · 70 credits in all
What are Claudio Cirillo's films like?
Across their 10 Motif titles with a thematic analysis, their films lean Bonds and Morality.
Genres
Their Motif films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 8
A split, not a type: Light 5 · Serious 3 · Dark 2
Grounded 3 · Stylized 5 · Heightened 2
Gentle 3 · Charged 5 · Intense 2
Steady 4 · Shifting 5 · Whiplash 1
A split, not a type: Straight-faced 2 · Some laughs 2 · Funny 6
Slow burn 2 · Even-paced 8 · Relentless 0
Casual 5 · Engaged 4 · Full focus 1
Easy watch 5 · Affecting 3 · Heavy 2
Resolved 7 · Open-ended 2 · Ambiguous 1
Moods and endings
- Happy5
- Bittersweet3
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Claudio Cirillo's films?
As of October 24, 2026, 6 of their 18 Motif titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Claudio Cirillo's titles on Motif; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
70 credits, 18 with a Motif page.

Scandalous Crimes (not in the Motif catalog yet)(1999)
Mio padre è innocente (not in the Motif catalog yet)(1997)

Segreto di Stato (not in the Motif catalog yet)(1995)

A che punto è la notte (not in the Motif catalog yet)(1994)

Giovanni Falcone (not in the Motif catalog yet)(1993)

Uomo di rispetto (not in the Motif catalog yet)(1993)

Package, Double Package and Counterpackage (not in the Motif catalog yet)(1993)

Scugnizzi (not in the Motif catalog yet)(1989)

Il vizio di vivere (not in the Motif catalog yet)(1988)

Il lupo di mare (not in the Motif catalog yet)(1987)

Deadheat (not in the Motif catalog yet)(1986)

Amici miei - Atto III°(1985)
Midcredits score: 56th percentile of all films
Vacanze in America (not in the Motif catalog yet)(1984)

Amarsi un po'... (not in the Motif catalog yet)(1984)

A Woman in the Mirror (not in the Motif catalog yet)(1984)

A Tender Sunset (not in the Motif catalog yet)(1984)

Where's Picone? (not in the Motif catalog yet)(1984)

Christmas Holidays (not in the Motif catalog yet)(1983)

The Commissioner (not in the Motif catalog yet)(1983)

Italian Boys (not in the Motif catalog yet)(1983)

Heads I Win, Tails You Lose (not in the Motif catalog yet)(1982)

Di padre in figlio (not in the Motif catalog yet)(1982)

Fantozzi Against the Wind (not in the Motif catalog yet)(1980)

Desideria (not in the Motif catalog yet)(1980)

Café Express (not in the Motif catalog yet)(1980)

Last Feelings (not in the Motif catalog yet)(1978)

Crime Busters(1977)
Midcredits score: 84th percentile of all films
A Whisper in the Dark (not in the Motif catalog yet)(1976)

The Career of a Chambermaid (not in the Motif catalog yet)(1976)

Safari Express(1976)
Midcredits score: 19th percentile of all films
L'ammazzatina (not in the Motif catalog yet)(1975)

What's Your Sign?(1975)
Midcredits score: 24th percentile of all films
Midcredits score: 99th percentile of all films
Scent of a Woman(1974)
Midcredits score: 92nd percentile of all films
Virility (not in the Motif catalog yet)(1974)

Manone il ladrone (not in the Motif catalog yet)(1974)

The Magnificent Dare Devil (not in the Motif catalog yet)(1973)
Trevico-Turin: Voyage in Fiatnam (not in the Motif catalog yet)(1973)
Midcredits score: 83rd percentile of all films
Blessed Are the Rich (not in the Motif catalog yet)(1972)
Midcredits score: 17th percentile of all films
My Name Is Rocco Papaleo (not in the Motif catalog yet)(1971)

Goodbye Uncle Tom(1971)
Midcredits score: 61st percentile of all films
Quella piccola differenza (not in the Motif catalog yet)(1969)

Police Chief Pepe (not in the Motif catalog yet)(1969)

That Splendid November (not in the Motif catalog yet)(1969)

Will Our Heroes Be Able to Find Their Friend Who Has Mysteriously Disappeared in Africa? (not in the Motif catalog yet)(1968)

Long Days of Hate(1968)
Midcredits score: 19th percentile of all films
Italian Secret Service (not in the Motif catalog yet)(1968)

The Head of the Family (not in the Motif catalog yet)(1967)

Return of Django(1967)
Midcredits score: 11th percentile of all films
Soldier's Girl (not in the Motif catalog yet)(1967)

Misunderstood(1966)
Midcredits score: 94th percentile of all films
The Queens(1966)
Midcredits score: 39th percentile of all films
Weekend, Italian Style (not in the Motif catalog yet)(1965)

Il compagno Don Camillo(1965)
Midcredits score: 80th percentile of all films
Sandra(1965)
Midcredits score: 83rd percentile of all films
Six Days a Week (not in the Motif catalog yet)(1965)

La Fuga (not in the Motif catalog yet)(1965)

The Visit(1964)
Midcredits score: 90th percentile of all films
The Visit(1963)
Midcredits score: 90th percentile of all films
The Boom (not in the Motif catalog yet)(1963)

The Girl from Parma (not in the Motif catalog yet)(1963)

Mafioso (not in the Motif catalog yet)(1962)

Totò, Peppino e i fuorilegge (not in the Motif catalog yet)(1956)

Toto, Peppino, and the Hussy (not in the Motif catalog yet)(1956)

The Seducer (not in the Motif catalog yet)(1954)

Bread, Love and Dreams(1953)
Midcredits score: 81st percentile of all films
Traviata 53 (not in the Motif catalog yet)(1953)

Miracolo a Viggiù (not in the Motif catalog yet)(1951)
Career shape
A full career of 68 titles from 1951 to 1999.

Biggest box office
We All Loved Each Other So Much (1974)

Highest rated
We All Loved Each Other So Much (1974)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on Motif, shown from 5 scored.
How do Claudio Cirillo's films land?
Their typical Motif film has a Midcredits score in the 81st percentile, the median of all 18; across their 10 films with reception data, the typical film sits in the 61st percentile for acclaim.
- 75th and up10
- 50th to 74th2
- 25th to 49th1
- Below 25th5
Shape of the crowd
7 of their 18 titles are Crowd Pleasers.
- Universally Loved4
- Crowd Pleaser7
- Broadly Agreed3
- Mixed4
Reviewers score the cinematography 62/100 in their films, across 6 reviewed titles; fans 67, detractors 39. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on Motif; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their Motif titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Claudio Cirillo work with?
People who share at least 2 of Claudio Cirillo's Motif titles, grouped by what they did on them; Eugenio Alabiso shares the most, 3.
Directors
- Ettore ScolaShared titles: We All Loved Each Other So Much (1974), The Most Wonderful Evening of My Life (1972)See all 2 shared titles with Ettore Scola

Writers
- Leonardo BenvenutiShared titles: Amici miei - Atto III° (1985), Don Camillo e i giovani d'oggi (1972)See all 2 shared titles with Leonardo Benvenuti

- Piero De BernardiShared titles: Amici miei - Atto III° (1985), Don Camillo e i giovani d'oggi (1972)See all 2 shared titles with Piero De Bernardi
- Bruno CorbucciShared titles: Safari Express (1976), What's Your Sign? (1975)See all 2 shared titles with Bruno Corbucci

- Mario AmendolaShared titles: Safari Express (1976), What's Your Sign? (1975)See all 2 shared titles with Mario Amendola

Actors
- Gastone MoschinShared titles: Amici miei - Atto III° (1985), Don Camillo e i giovani d'oggi (1972)See all 2 shared titles with Gastone Moschin

- Giuseppe MaffioliShared titles: Safari Express (1976), The Most Wonderful Evening of My Life (1972)See all 2 shared titles with Giuseppe Maffioli
- Peter MartellShared titles: Safari Express (1976), Long Days of Hate (1968)See all 2 shared titles with Peter Martell

- Alberto SordiShared titles: What's Your Sign? (1975), The Most Wonderful Evening of My Life (1972)See all 2 shared titles with Alberto Sordi

Composers and editors
- Eugenio AlabisoShared titles: Crime Busters (1977), Safari Express (1976), What's Your Sign? (1975)See all 3 shared titles with Eugenio Alabiso

- Armando TrovajoliShared titles: Scent of a Woman (1974), We All Loved Each Other So Much (1974), The Most Wonderful Evening of My Life (1972)See all 3 shared titles with Armando Trovajoli

- Carlo RustichelliShared titles: Amici miei - Atto III° (1985), Don Camillo e i giovani d'oggi (1972)See all 2 shared titles with Carlo Rustichelli

- Guido De AngelisShared titles: Crime Busters (1977), Safari Express (1976)See all 2 shared titles with Guido De Angelis

Producers
- Adriano De MicheliShared titles: Scent of a Woman (1974), We All Loved Each Other So Much (1974)See all 2 shared titles with Adriano De Micheli
- Pio AngelettiShared titles: Scent of a Woman (1974), We All Loved Each Other So Much (1974)See all 2 shared titles with Pio Angeletti

