He is perhaps best remembered for his role of Big Ed Somers, the power hungry gangster pal of James Cagney in "White Heat" (1949). Born Robert Alexander Cochran in Eureka, California, he was the son of a California lumberjack, who moved the family to Wyoming in the 1920s, where Cochran grew to adulthood. After graduating from the University of Wyoming in 1939, Cochran began working steadily as a Wyoming cowboy, while developing his acting skills working in summer stock and regional theaters and gradually moving on to Broadway. In 1945, he signed with MGM, and for the next several years, played mostly secondary roles as gangsters or boxers. He made his film debut with "Boston Blackie Booked on Suspicion" (1945) and quickly followed with "Wonder Man" (1945). Released from his contract in 1948, he returned to Broadway where he worked with Mae West; the next year he signed on with Warner Brothers, where he earned leading roles in such films as "The Damned Don't Cry" (1950), "Highway 301" (1950) and "Tomorrow is Another Day" (1951). Warner Brothers often had him playing the villain in several of its western films, such as "Dallas" (1950), and "Back to God's Country" (1953). With the end of his contract in 1953, he began his own film company, Robert Alexander Productions, while also freelancing for other studios and moving on to guest star roles on television shows. He would show up in such television shows as Death Valley Days, Burke's Law, The Untouchables, Naked City, The Twilight Zone, Route 66, and The Virginian. A notorious womanizer, Cochran was married and divorced three times, and was often in the Hollywood tabloids reportedly having affairs with such actresses as Mae West, Jayne Mansfield, Joan Crawford, Merle Oberon, Ida Lupino and Mamie Van Doren. Cochran died under mysterious circumstances. In May 1965, Cochran had revived his production company, and together with three women, whom he had hired as his assistants, boarded his 40-foot yacht to travel to Central and South America to look for filming locations. On June 25, 1965, the yacht drifted into Port Champerico, Guatemala, with three alive but very distraught women aboard and the body of Steve Cochran, who had died ten days earlier. The women did not know how to operate the boat, and were dependent upon its drifting to shore after his death. There were numerous rumors of murder and poisoning, and actress / former lover Merle Oberon used her influence to push for further police investigation, but no evidence of foul play was ever determined. The official cause of his death was given as Acute Infectious Edema (lung infection).
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Biography from TMDB.
- May 25, 1917
- June 15, 1965 (aged 48)
- Eureka, California
- Actor, also producer
- 24 on MovieCove · 56 credits in all
What are Steve Cochran's films like?
Across their 19 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 17
A split, not a type: Light 6 · Serious 5 · Dark 8
A split, not a type: Grounded 12 · Stylized 6 · Heightened 1
Gentle 4 · Charged 9 · Intense 6
A split, not a type: Steady 9 · Shifting 6 · Whiplash 4
Straight-faced 15 · Some laughs 1 · Funny 3
Slow burn 3 · Even-paced 15 · Relentless 1
A split, not a type: Casual 9 · Engaged 8 · Full focus 2
Easy watch 6 · Affecting 7 · Heavy 6
Resolved 13 · Open-ended 5 · Ambiguous 1
Roles they play
Usually the Shadow: 7 of 15 analyzed roles.
Show the 15 rolesHide the roles
- Heraldas Speed McFarlane in The Kid from Brooklyn (1946)
- Shadowas Eddie Roman in The Chase (1946)
- Threshold guardianas Steve Hunt in Copacabana (1947)
- Tricksteras Big Ed Somers in White Heat (1949)
- Shadowas Bryant Marlow in Dallas (1950)
- Shadowas Nick Prenta in The Damned Don't Cry (1950)
- Shadowas Cy Van Cleave in Raton Pass (1951)
- Heroas Chuck Daniels in Inside the Walls of Folsom Prison (1951)
- Heroas Bill Clark in Tomorrow Is Another Day (1951)
- Shadowas Marcel Brevoort in Operation Secret (1952)
- Shadowas Paul Blake in Back to God's Country (1953)
- Heroas Matt Ballot in Come Next Spring (1956)
- Heroas Captain Alan Westcott in Quantrill's Raiders (1958)
- Heroas Joe Sante in I Mobster (1959)
- Shadowas Billy Keplinger in The Deadly Companions (1961)
Moods and endings
- Happy8
- Bittersweet5
- Tragic4
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Steve Cochran's films?
As of October 24, 2026, 11 of their 24 MovieCove titles stream on a subscription or free service, most on Tubi (10).
- The Best Years of Our Lives (1946) · actor · free
- Jim Thorpe -- All-American (1951) · actor · free
- A Song Is Born (1948) · actor · free
- Wonder Man (1945) · actor · free
- Route 66 (1960) · actor · free
- The Loretta Young Show (1953) · actor · free
- The Kid from Brooklyn (1946) · actor · free
- The Chase (1946) · actor · free
- I Mobster (1959) · actor · free
- The Deadly Companions (1961) · actor · free
Subscription and free streaming for Steve Cochran's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
56 credits, 24 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

Tell Me In The Sunlight (not in the MovieCove catalog yet)(1965)

Mozambique (not in the MovieCove catalog yet)(1964)
Mr. Broadway (not in the MovieCove catalog yet)(1964)

Burke's Law (not in the MovieCove catalog yet)(1963)

Of Love and Desire (not in the MovieCove catalog yet)(1963)

Stoney Burke (not in the MovieCove catalog yet)(1962)

The Virginian (not in the MovieCove catalog yet)(1962)

Bus Stop (not in the MovieCove catalog yet)(1961)

The Deadly Companions(1961)
Midcredits score: 39th percentile of all films
Route 66(1960)
Midcredits score: 73rd percentile of all shows
The Twilight Zone(1959)
Midcredits score: 97th percentile of all shows
The Big Operator (not in the MovieCove catalog yet)(1959)

The Beat Generation (not in the MovieCove catalog yet)(1959)

I Mobster(1959)
Midcredits score: 48th percentile of all films
Naked City(1958)
Midcredits score: 82nd percentile of all shows
Quantrill's Raiders(1958)
Midcredits score: 19th percentile of all films
Il Grido (not in the MovieCove catalog yet)(1957)

Slander (not in the MovieCove catalog yet)(1957)

Dick Powell's Zane Grey Theatre (not in the MovieCove catalog yet)(1956)

The Weapon (not in the MovieCove catalog yet)(1956)

Come Next Spring(1956)
Midcredits score: 76th percentile of all films
Fremont: The Trailblazer (not in the MovieCove catalog yet)(1956)

Climax! (not in the MovieCove catalog yet)(1954)

Private Hell 36 (not in the MovieCove catalog yet)(1954)

Carnival Story (not in the MovieCove catalog yet)(1954)

Shark River (not in the MovieCove catalog yet)(1953)

Back to God's Country(1953)
Midcredits score: 30th percentile of all films
The Loretta Young Show(1953)
Midcredits score: 68th percentile of all shows
The Desert Song (not in the MovieCove catalog yet)(1953)

She's Back on Broadway (not in the MovieCove catalog yet)(1953)

General Electric Theater (not in the MovieCove catalog yet)(1953)

Operation Secret(1952)
Midcredits score: 48th percentile of all films
The Lion and the Horse (not in the MovieCove catalog yet)(1952)

The Tanks Are Coming (not in the MovieCove catalog yet)(1951)

Schlitz Playhouse of Stars (not in the MovieCove catalog yet)(1951)
Midcredits score: 75th percentile of all films
Tomorrow Is Another Day(1951)
Midcredits score: 80th percentile of all films
Midcredits score: 57th percentile of all films
Raton Pass(1951)
Midcredits score: 38th percentile of all films
Storm Warning(1950)
Midcredits score: 83rd percentile of all films
Dallas(1950)
Midcredits score: 51st percentile of all films
Highway 301 (not in the MovieCove catalog yet)(1950)
Lux Video Theatre (not in the MovieCove catalog yet)(1950)

The Damned Don't Cry(1950)
Midcredits score: 84th percentile of all films
Robert Montgomery Presents (not in the MovieCove catalog yet)(1950)

White Heat(1949)
Midcredits score: 98th percentile of all films
Studio One (not in the MovieCove catalog yet)(1948)

A Song Is Born(1948)
Midcredits score: 75th percentile of all films
Copacabana(1947)
Midcredits score: 45th percentile of all films
Midcredits score: 98th percentile of all films
The Chase(1946)
Midcredits score: 59th percentile of all films
The Kid from Brooklyn(1946)
Midcredits score: 64th percentile of all films
The Gay Senorita (not in the MovieCove catalog yet)(1945)

Boston Blackie's Rendezvous (not in the MovieCove catalog yet)(1945)

Wonder Man(1945)
Midcredits score: 73rd percentile of all films
Boston Blackie Booked on Suspicion (not in the MovieCove catalog yet)(1945)
Career shape
Star power in the 96th percentile of 239,109 people with a billed film role, over a full career of 56 titles from 1945 to 1965.
Film career
Top draw in 2 MovieCove titles.
- 1945Screen debut· Wonder Man
- 1950First top-billed film· Highway 301
- 1957Career best· Il Grido
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Steve Cochran's films land?
Their typical MovieCove film has a Midcredits score in the 62nd percentile, the median of all 20; across their 19 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up10
- 50th to 74th7
- 25th to 49th6
- Below 25th1
Shape of the crowd
14 of their 24 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser14
- Broadly Agreed6
- Mixed1
Reviewers score the acting 73/100 in their films, across 19 reviewed titles; fans 79, detractors 51. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Steve Cochran work with?
People who share at least 2 of Steve Cochran's MovieCove titles, grouped by what they did on them; Max Steiner shares the most, 5.
Directors
- Stuart HeislerShared titles: Dallas (1950), Storm Warning (1950)See all 2 shared titles with Stuart Heisler

Writers
- Harold MedfordShared titles: Operation Secret (1952), The Damned Don't Cry (1950)See all 2 shared titles with Harold Medford
- James R. WebbShared titles: Operation Secret (1952), Raton Pass (1951)See all 2 shared titles with James R. Webb
Actors
- Virginia MayoShared titles: White Heat (1949), A Song Is Born (1948), The Kid from Brooklyn (1946), Wonder Man (1945)See all 4 shared titles with Virginia Mayo

- Hugh SandersShared titles: Tomorrow Is Another Day (1951), Storm Warning (1950), The Damned Don't Cry (1950)See all 3 shared titles with Hugh Sanders

- Danny KayeShared titles: A Song Is Born (1948), The Kid from Brooklyn (1946), Wonder Man (1945)See all 3 shared titles with Danny Kaye

- Will WrightShared titles: The Deadly Companions (1961), Quantrill's Raiders (1958)See all 2 shared titles with Will Wright

Composers and editors
- Max SteinerShared titles: Come Next Spring (1956), Jim Thorpe -- All-American (1951), Raton Pass (1951), Dallas (1950), White Heat (1949)See all 5 shared titles with Max Steiner

- Clarence KolsterShared titles: Operation Secret (1952), Dallas (1950), Storm Warning (1950)See all 3 shared titles with Clarence Kolster

- Daniele AmfitheatrofShared titles: Tomorrow Is Another Day (1951), Storm Warning (1950), The Damned Don't Cry (1950)See all 3 shared titles with Daniele Amfitheatrof
- Daniel MandellShared titles: A Song Is Born (1948), The Kid from Brooklyn (1946), Wonder Man (1945)See all 3 shared titles with Daniel Mandell

Producers
- Samuel GoldwynShared titles: A Song Is Born (1948), The Kid from Brooklyn (1946), Wonder Man (1945)See all 3 shared titles with Samuel Goldwyn

- Henry BlankeShared titles: Operation Secret (1952), Tomorrow Is Another Day (1951)See all 2 shared titles with Henry Blanke
- Jerry WaldShared titles: Storm Warning (1950), The Damned Don't Cry (1950)See all 2 shared titles with Jerry Wald





