
Bonar Colleano
Actor · Died August 7, 1958, aged 34 · New York City, New York, USA
Bonar Colleano was an American born British stage and film actor who tragically died in a car crash in Birkenhead aged just 34.
Biography from TMDB.
- March 14, 1924
- August 7, 1958 (aged 34)
- New York City, New York, USA
- Actor
- 10 on MovieCove · 30 credits in all
What are Bonar Colleano's films like?
Across their 10 MovieCove titles with a thematic analysis, their films lean Morality and Survival.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 0 · Wry 1 · Earnest 9
Light 3 · Serious 4 · Dark 3
A split, not a type: Grounded 6 · Stylized 3 · Heightened 1
Gentle 1 · Charged 8 · Intense 1
Steady 4 · Shifting 6 · Whiplash 0
Straight-faced 6 · Some laughs 4 · Funny 0
A split, not a type: Slow burn 7 · Even-paced 1 · Relentless 2
Casual 5 · Engaged 5 · Full focus 0
Easy watch 3 · Affecting 5 · Heavy 2
Resolved 8 · Open-ended 1 · Ambiguous 1
Roles they play
Usually the Ally: 3 of 5 analyzed roles.
- Allyas Sergeant West in Sleeping Car to Trieste (1948)
- Allyas Julio in Give Us This Day (1949)
- Heroas Bob Mitchell in A Tale of Five Women (1951)
- Heraldas Sergeant Kirby in The Sea Shall Not Have Them (1954)
- Allyas Amalio in Pickup Alley (1957)
Moods and endings
- Happy4
- Bittersweet4
- Tragic1
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Bonar Colleano's films?
As of October 24, 2026, 5 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (5).
Subscription and free streaming for Bonar Colleano's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
30 credits, 10 with a MovieCove page.
Death Over My Shoulder (not in the MovieCove catalog yet)(1958)

The Man Inside (not in the MovieCove catalog yet)(1958)

Tank Force! (not in the MovieCove catalog yet)(1958)
The Nice Americans (not in the MovieCove catalog yet)(1958)

Fire Down Below(1957)
Midcredits score: 39th percentile of all films
Pickup Alley(1957)
Midcredits score: 41st percentile of all films
Stars in Your Eyes (not in the MovieCove catalog yet)(1956)

Zarak(1956)
Midcredits score: 22nd percentile of all films
Joe Macbeth (not in the MovieCove catalog yet)(1955)

Time Is My Enemy (not in the MovieCove catalog yet)(1954)
Midcredits score: 59th percentile of all films
Flame and the Flesh (not in the MovieCove catalog yet)(1954)

Escape by Night (not in the MovieCove catalog yet)(1953)

Is Your Honeymoon Really Necessary? (not in the MovieCove catalog yet)(1953)

Eight Iron Men (not in the MovieCove catalog yet)(1952)

A Tale of Five Women(1951)
Midcredits score: 10th percentile of all films
Pool of London (not in the MovieCove catalog yet)(1951)

Dance Hall (not in the MovieCove catalog yet)(1950)

Give Us This Day(1949)
Midcredits score: 80th percentile of all films
Once a Jolly Swagman (not in the MovieCove catalog yet)(1949)

Sleeping Car to Trieste(1948)
Midcredits score: 67th percentile of all films
Good-Time Girl (not in the MovieCove catalog yet)(1948)

One Night with You (not in the MovieCove catalog yet)(1948)

Broken Journey (not in the MovieCove catalog yet)(1948)

While the Sun Shines (not in the MovieCove catalog yet)(1947)
Midcredits score: 98th percentile of all films
Wanted for Murder(1946)
Midcredits score: 71st percentile of all filmsIn the Zone (not in the MovieCove catalog yet)(1946)

Johnny in the Clouds(1945)
Midcredits score: 83rd percentile of all films
Starlight Serenade (not in the MovieCove catalog yet)(1944)
Career shape
Star power in the 83rd percentile of 239,109 people with a billed film role, over a full career of 30 titles from 1944 to 1958.
Film career
- 1945Screen debut· The Way to the Stars
- 1951First top-billed film· Pool of London
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Bonar Colleano's films land?
Their typical MovieCove film has a Midcredits score in the 63rd percentile, the median of all 10; across their 10 films with reception data, the typical film sits in the 66th percentile for acclaim.
- 75th and up3
- 50th to 74th3
- 25th to 49th2
- Below 25th2
Shape of the crowd
None of their 10 titles divides audiences: 5 are Crowd Pleasers.
- Universally Loved1
- Crowd Pleaser5
- Broadly Agreed4
Reviewers score the acting 64/100 in their films, across 10 reviewed titles; fans 71, detractors 41. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Bonar Colleano work with?
People who share at least 2 of Bonar Colleano's MovieCove titles, grouped by what they did on them; Peter Illing shares the most, 3.
Writers
- Emeric PressburgerShared titles: A Matter of Life and Death (1946), Wanted for Murder (1946)See all 2 shared titles with Emeric Pressburger

Actors
- Peter IllingShared titles: Fire Down Below (1957), Pickup Alley (1957), Zarak (1956)See all 3 shared titles with Peter Illing

- André MorellShared titles: Pickup Alley (1957), Zarak (1956)See all 2 shared titles with André Morell

- Anita EkbergShared titles: Pickup Alley (1957), Zarak (1956)See all 2 shared titles with Anita Ekberg

- Sydney TaflerShared titles: Pickup Alley (1957), The Sea Shall Not Have Them (1954)See all 2 shared titles with Sydney Tafler

Composers and cinematographers
- Ted MooreShared titles: Pickup Alley (1957), Zarak (1956)See all 2 shared titles with Ted Moore

- Benjamin FrankelShared titles: Give Us This Day (1949), Sleeping Car to Trieste (1948)See all 2 shared titles with Benjamin Frankel
Producers
- Albert R. BroccoliShared titles: Fire Down Below (1957), Pickup Alley (1957), Zarak (1956)See all 3 shared titles with Albert R. Broccoli

- Irving AllenShared titles: Fire Down Below (1957), Pickup Alley (1957), Zarak (1956)See all 3 shared titles with Irving Allen

- Phil C. SamuelShared titles: Pickup Alley (1957), Zarak (1956)See all 2 shared titles with Phil C. Samuel
- Herbert SmithShared titles: Sleeping Car to Trieste (1948), Johnny in the Clouds (1945)See all 2 shared titles with Herbert Smith
