Skip to content
MovieCove

What are Phil C. Samuel's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Themes

share of theme weight
Morality
52%
Bonds
25%
Self
8%
Society
6%
Power
4%
Survival
4%

What they feel like to watch

their average across 7 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 3 · Stylized 3 · Heightened 1

Gentle 0 · Charged 5 · Intense 2

Steady 4 · Shifting 3 · Whiplash 0

Straight-faced 4 · Some laughs 3 · Funny 0

Slow burn 1 · Even-paced 4 · Relentless 2

Casual 3 · Engaged 4 · Full focus 0

Resolved 6 · Open-ended 1 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Thrilling
3
Melancholic
3
Romantic
2
Dread
1
Other
3

How their films end

  • Happy3
  • Bittersweet2
  • Tragic2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Phil C. Samuel's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Phil C. Samuel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Too Hot to Handle(1960)

    Producer

    Midcredits score: 37th percentile of all films
  • Pickup Alley(1957)

    Producer

    Midcredits score: 41st percentile of all films
  • Zarak(1956)

    Producer

    Midcredits score: 22nd percentile of all films
  • A Prize of Gold(1955)

    Producer

    Midcredits score: 32nd percentile of all films
  • Midcredits score: 63rd percentile of all films
  • The Black Knight(1954)

    Producer

    Midcredits score: 24th percentile of all films
  • Odd Man Out(1947)

    Producer

    Midcredits score: 95th percentile of all films

Career shape

Across their 7 MovieCove titles from 1947 to 1960.

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score37th

By decade

1940s1 · crew1950s5 · crew1960s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Phil C. Samuel's films land?

Their typical MovieCove film has a Midcredits score in the 37th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 39th percentile for acclaim.

Acclaim · how much people like their films

39thpercentile
Typical film, the median of 7

Approval · how many liked their films

35thpercentile
Typical film, the median of 7

Reach · how many have seen their films

44thpercentile
Typical film, the median of 7

Midcredits score across 7 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th3
  • Below 25th2

Shape of the crowd

None of their 7 titles divides audiences: 3 are Broadly Agreed.

  • Universally Loved1
  • Crowd Pleaser1
  • Broadly Agreed3
  • Mixed2

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Phil C. Samuel work with?

People who share at least 2 of Phil C. Samuel's MovieCove titles, grouped by what they did on them; Albert R. Broccoli shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers