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Alessandro D'Eva

Cinematographer · Died March 29, 2013, aged 85 · Udine, Italy

Born
November 18, 1927
Died
March 29, 2013 (aged 85)
From
Udine, Italy
Works as
Cinematographer
Titles
13 on MovieCove · 63 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 12% in 30 days

What are Alessandro D'Eva's films like?

Across their 11 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

Themes

share of theme weight
Bonds
34%
Power
23%
Self
22%
Morality
20%
Friendship3 titles, browse their movies with this themeDeception6 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeClass2 titles, browse their movies with this themeIdentity2 titles, browse their movies with this themeFamily bonds2 titles, browse their movies with this theme

What they feel like to watch

their average across 11 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 8 · Serious 3 · Dark 0

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 3 · Stylized 6 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 5 · Charged 5 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 4 · Shifting 5 · Whiplash 2

Funny: How much of the runtime is played for laughs. Browse their funny movies.
Feel · Humor
noneconstant

Straight-faced 1 · Some laughs 3 · Funny 7

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 7 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 9 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 9 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
8
Absurd
7
Tense
3
Warm
2
Melancholic
2
Other
3

How their films linger

Fun8 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertasteWistful2 titles, browse their movies with this aftertaste

How their films end · 2 with a twist

  • Happy4
  • Bittersweet4
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alessandro D'Eva's films?

As of October 24, 2026, 5 of their 13 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Alessandro D'Eva's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

63 credits, 13 with a MovieCove page.

  • Fantozzi The Return (not in the MovieCove catalog yet)(1996)

    Cinematographer

  • Rome, November 12, 1994 (not in the MovieCove catalog yet)(1995)

    Cinematographer

  • The New Comics (not in the MovieCove catalog yet)(1994)

    Cinematographer

  • Abbronzatissimi 2 - Un anno dopo(1993)

    Camera Supervisor · Cinematographer

    Midcredits score: 2nd percentile of all films

  • Fantozzi in Heaven (not in the MovieCove catalog yet)(1993)

    Cinematographer

  • Infelici e contenti (not in the MovieCove catalog yet)(1992)

    Cinematographer

  • The Comics 2 (not in the MovieCove catalog yet)(1991)

    Cinematographer

  • Fantozzi to the Rescue (not in the MovieCove catalog yet)(1990)

    Cinematographer

  • I Won the New Year's Lottery (not in the MovieCove catalog yet)(1989)

    Cinematographer

  • The Big Fox (not in the MovieCove catalog yet)(1988)

    Cinematographer

  • School of Thieves 2 (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • Firefighters 2: Heroic Mission (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • Us Real Men, We Hard Men (not in the MovieCove catalog yet)(1987)

    Cinematographer

  • Il commissario Lo Gatto (not in the MovieCove catalog yet)(1986)

    Cinematographer

  • School of Thieves(1986)

    Cinematographer

    Midcredits score: 35th percentile of all films

  • He's Worse Than Me(1985)

    Cinematographer

    Midcredits score: 51st percentile of all films

  • Cuori nella tormenta (not in the MovieCove catalog yet)(1984)

    Cinematographer

  • This and That (not in the MovieCove catalog yet)(1983)

    Cinematographer

  • Sing Sing(1983)

    Cinematographer

    Midcredits score: 27th percentile of all films

  • God Makes and Then Pairs Them Up (not in the MovieCove catalog yet)(1982)

    Cinematographer

  • Sesso e volentieri (not in the MovieCove catalog yet)(1982)

    Cinematographer

  • I Fichissimi (not in the MovieCove catalog yet)(1981)

    Cinematographer

  • Una vacanza bestiale (not in the MovieCove catalog yet)(1980)

    Cinematographer

  • Prete, fai un miracolo (not in the MovieCove catalog yet)(1975)

    Cinematographer

  • The Household (not in the MovieCove catalog yet)(1974)

    Cinematographer

  • My Darling Slave (not in the MovieCove catalog yet)(1973)

    Cinematographer

  • Increase and Multiply (not in the MovieCove catalog yet)(1973)

    Cinematographer

  • Life Is Tough, Eh Providence?(1972)

    Cinematographer

    Midcredits score: 38th percentile of all films

  • In the Name of the Italian People(1971)

    Cinematographer

    Midcredits score: 93rd percentile of all films

  • Death Walks on High Heels(1971)

    Cinematographer

    Midcredits score: 62nd percentile of all films

  • Four Pistols for Trinity (not in the MovieCove catalog yet)(1971)

    Cinematographer

  • The Married Priest (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • Your Hands on My Body (not in the MovieCove catalog yet)(1970)

    Cinematographer

  • Normal Young Man (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • Season of the Senses (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • I See Naked (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • The Seducers (not in the MovieCove catalog yet)(1969)

    Cinematographer

  • The Sexual Revolution (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Straziami ma di baci saziami(1968)

    Cinematographer

    Midcredits score: 75th percentile of all films

  • Ciccio Forgives, I Don't (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • The Belle Star Story(1968)

    Cinematographer

    Midcredits score: 29th percentile of all films

  • The Prophet (not in the MovieCove catalog yet)(1968)

    Cinematographer

  • Matchless(1967)

    Cinematographer

    Midcredits score: 12th percentile of all films

  • Cuore matto... matto da legare (not in the MovieCove catalog yet)(1967)

    Cinematographer

  • The Tiger and the Pussycat(1967)

    Cinematographer

    Midcredits score: 50th percentile of all films

  • The Oldest Profession(1967)

    Cinematographer

    Midcredits score: 25th percentile of all films

  • Ringo and Gringo Against All (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • The Third Eye (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • James Tont Operation T.W.O. (not in the MovieCove catalog yet)(1966)

    Cinematographer

  • James Tont Operation U.N.O. (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • Thrilling (not in the MovieCove catalog yet)(1965)

    Cinematographer

  • One Million Dollars (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Corpse for the Lady (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • Let's Talk About Women (not in the MovieCove catalog yet)(1964)

    Cinematographer

  • The Commandant (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • Il successo (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • The Reunion (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • La vita provvisoria (not in the MovieCove catalog yet)(1963)

    Cinematographer

  • La banda Casaroli (not in the MovieCove catalog yet)(1962)

    Cinematographer

  • Latin Lovers (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • Manhunt (not in the MovieCove catalog yet)(1961)

    Cinematographer

  • Love and Larceny(1960)

    Camera Operator

    Midcredits score: 85th percentile of all films

  • Noi siamo le colonne (not in the MovieCove catalog yet)(1956)

    Camera Operator

Career shape

A full career of 63 titles from 1956 to 1996.

Highest rated

In the Name of the Italian People (1971)

Midcredits 93rd

Most popular right now

Abbronzatissimi 2 - Un anno dopo (1993)

By role

only this rolewith another role
Cinematography60 of 63: 60 only cinematography, 0 with another role · typical Midcredits score38thOther crew3 of 63: 3 only other crew, 0 with another role

By decade

1950s1 · crew1960s29 · crew1970s10 · crew1980s15 · crew1990s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alessandro D'Eva's films land?

Their typical MovieCove film has a Midcredits score in the 38th percentile, the median of all 13; across their 11 films with reception data, the typical film sits in the 46th percentile for acclaim.

Acclaim · how much people like their films

46thpercentile
Typical film, the median of 11

Approval · how many liked their films

26thpercentile
Typical film, the median of 11

Reach · how many have seen their films

47thpercentile
Typical film, the median of 11

Midcredits score across 13 titles, by percentile

  • 75th and up3
  • 50th to 74th3
  • 25th to 49th5
  • Below 25th2

Shape of the crowd

5 of their 13 titles are Mixed.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser3
  • Broadly Agreed3
  • Mixed5

Most divisive · cinematographer

Sing Sing (1983)

56th percentile spread · 19% rated it 4 or lower

Most loved · cinematographer

In the Name of the Italian People (1971)

Midcredits 93rd · 84% liked

Reviewers score the cinematography 53/100 in their films, across 5 reviewed titles; fans 64, detractors 43. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Alessandro D'Eva work with?

People who share at least 2 of Alessandro D'Eva's MovieCove titles, grouped by what they did on them; Mario Cecchi Gori shares the most, 4.

Directors

Writers

Actors

Composers and editors

Producers