Claude Desailly

What are Claude Desailly's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Claude Desailly's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on The Roku Channel (1).

• The Roku Channel1 title, browse their movies on this service
  • Cemetery Without Crosses (1969) · writer · free

Subscription and free streaming for Claude Desailly's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Cemetery Without Crosses(1969)

  Writer

  Midcredits score: 70th percentile of all films70^th
• 

  J'ai tué Raspoutine(1967)

  Writer

  Midcredits score: 18th percentile of all films18^th
• 

  The Secret Killer(1965)

  Writer

  Midcredits score: 62nd percentile of all films62^nd
• 

  The Taste of Violence(1961)

  Writer

  Midcredits score: 70th percentile of all films70^th

Career shape

Across a limited sample of 4 MovieCove titles from 1961 to 1969.

Biggest box office

The Taste of Violence (1961)

$6.4M worldwide

Highest rated

Cemetery Without Crosses (1969)

Midcredits 70^th

How do Claude Desailly's films land?

Their typical MovieCove film has a Midcredits score in the 66^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 65^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

31

• Crowd Pleaser3
• Mixed1

Most loved · writer

Cemetery Without Crosses (1969)

Midcredits 70^th · 63% liked

Reviewers score the plot and story 43/100 in their films, across 3 reviewed titles; fans 53, detractors 30. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Claude Desailly work with?

People who share at least 2 of Claude Desailly's MovieCove titles, grouped by what they did on them; Robert Hossein shares the most, 4.