Toussaint Torre

What are Toussaint Torre's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Toussaint Torre's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on The Roku Channel (1).

• The Roku Channel1 title, browse their movies on this service
  • Cemetery Without Crosses (1969) · producer · free

Subscription and free streaming for Toussaint Torre's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Children of Mata Hari(1970)

  Producer

  Midcredits score: 24th percentile of all films24^th
• 

  Cemetery Without Crosses(1969)

  Producer

  Midcredits score: 70th percentile of all films70^th
• 

  J'ai tué Raspoutine(1967)

  Producer

  Midcredits score: 18th percentile of all films18^th
• 

  Troppo per vivere... poco per morire(1967)

  Producer

  Midcredits score: 58th percentile of all films (provisional, few ratings)~58^th

Career shape

Across a limited sample of 4 MovieCove titles from 1967 to 1970.

Highest rated

Cemetery Without Crosses (1969)

Midcredits 70^th

How do Toussaint Torre's films land?

Their typical MovieCove film has a Midcredits score in the 41^st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 44^th percentile for acclaim.

Shape of the crowd

2 of their 4 titles are Mixed.

112

• Crowd Pleaser1
• Broadly Agreed1
• Mixed2

Most divisive · producer

Troppo per vivere... poco per morire (1967)

61^st percentile spread · 22% rated it 4 or lower

Most loved · producer

Cemetery Without Crosses (1969)

Midcredits 70^th · 63% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Toussaint Torre work with?

People who share at least 2 of Toussaint Torre's MovieCove titles, grouped by what they did on them; Robert Hossein shares the most, 2.