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Everett Douglas

Editor

Works as
Editor
Titles
17 on MovieCove · 33 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Down 16% in 30 days

What are Everett Douglas' films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

Genres

Drama5 titlesTypical Midcredits score: 39th percentile
: browse their Drama movies
Comedy4 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Comedy movies
Action3 titlesTypical Midcredits score: 67th percentile, at or above their average across these genres
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 52nd percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
36%
Bonds
30%
Power
13%
Survival
13%
Society
8%
Justice6 titles, browse their movies with this themeRomantic love7 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeGreed2 titles, browse their movies with this themeRevenge2 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeFreedom2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 7 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 12 · Intense 2

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 9 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 11 · Some laughs 2 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 3 · Even-paced 12 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 12 · Engaged 3 · Full focus 1

Easy watch: How much it costs you emotionally; whether you need recovery time. Browse their easy watch movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 10 · Heavy 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Romantic
6
Joyful
4
Melancholic
5
Warm
3
Other
11

How their films linger

Bittersweet6 titles, browse their movies with this aftertasteFun5 titles, browse their movies with this aftertasteHopeful5 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteThought-provoking4 titles, browse their movies with this aftertasteWistful3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy6
  • Bittersweet7
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Everett Douglas' films?

As of October 24, 2026, 2 of their 17 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Everett Douglas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 17 with a MovieCove page.

  • The Jayhawkers!(1959)

    Editor

    Midcredits score: 56th percentile of all films

  • Bonanza(1959)

    Show 2 episodes · Editor

    Midcredits score: 69th percentile of all shows

  • The Trap(1959)

    Editor

    Midcredits score: 67th percentile of all films

  • The Party Crashers (not in the MovieCove catalog yet)(1958)

    Editor

  • Maracaibo (not in the MovieCove catalog yet)(1958)

    Editor

  • As Young as We Are(1958)

    Editor

    Midcredits score: 34th percentile of all films (provisional, few ratings)

  • Omar Khayyam(1957)

    Editor

    Midcredits score: 33rd percentile of all films

  • The Scarlet Hour (not in the MovieCove catalog yet)(1956)

    Editor

  • Conquest of Space(1955)

    Editor

    Midcredits score: 31st percentile of all films

  • The Naked Jungle(1954)

    Editor

    Midcredits score: 70th percentile of all films

  • Jennifer (not in the MovieCove catalog yet)(1953)

    Editor

  • The War of the Worlds(1953)

    Editor

    Midcredits score: 81st percentile of all films

  • Thunder in the East(1952)

    Editor

    Midcredits score: 39th percentile of all films

  • Mr. Music (not in the MovieCove catalog yet)(1950)

    Editor

  • Miss Tatlock's Millions(1948)

    Editor

    Midcredits score: 70th percentile of all films

  • The Sainted Sisters (not in the MovieCove catalog yet)(1948)

    Editor

  • Champagne for Two (not in the MovieCove catalog yet)(1947)

    Editor

  • Welcome Stranger(1947)

    Editor

    Midcredits score: 74th percentile of all films

  • Sweet and Low (not in the MovieCove catalog yet)(1947)

    Editor

  • Ladies' Man (not in the MovieCove catalog yet)(1947)

    Editor

  • The Virginian(1946)

    Editor

    Midcredits score: 59th percentile of all films

  • Henry Aldrich's Little Secret(1944)

    Editor

    Midcredits score: 82nd percentile of all films

  • Henry Aldrich Plays Cupid (not in the MovieCove catalog yet)(1944)

    Editor

  • Henry Aldrich, Boy Scout (not in the MovieCove catalog yet)(1944)

    Editor

  • Henry Aldrich Haunts a House (not in the MovieCove catalog yet)(1943)

    Editor

  • Henry Aldrich, Editor(1942)

    Editor

    Midcredits score: 74th percentile of all films

  • Among the Living (not in the MovieCove catalog yet)(1941)

    Editor

  • The Monster and the Girl(1941)

    Editor

    Midcredits score: 37th percentile of all films

  • Emergency Squad (not in the MovieCove catalog yet)(1940)

    Editor

  • The Last Train from Madrid(1937)

    Editor

    Midcredits score: 41st percentile of all films

  • The Sky Parade (not in the MovieCove catalog yet)(1936)

    Editor

  • Straight from the Shoulder (not in the MovieCove catalog yet)(1936)

    Editor

  • Drift Fence(1936)

    Editor

    Midcredits score: 34th percentile of all films

Career shape

A full career of 31 titles from 1936 to 1959.

Highest rated

The War of the Worlds (1953)

Midcredits 81st

By role

only this rolewith another role
Editing31 of 31: 31 only editing, 0 with another role · typical Midcredits score59th

By decade

1930s4 · crew1940s14 · crew1950s13 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Everett Douglas' films land?

Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 60th percentile for acclaim.

Acclaim · how much people like their films

60thpercentile
Typical film, the median of 16

Approval · how many liked their films

54thpercentile
Typical film, the median of 16

Reach · how many have seen their films

31stpercentile
Typical film, the median of 16

Midcredits score across 17 titles, by percentile

  • 75th and up2
  • 50th to 74th8
  • 25th to 49th7

Shape of the crowd

8 of their 17 titles are Crowd Pleasers.

  • Divisive1
  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed7

Most divisive · editor

Henry Aldrich's Little Secret (1944)

90th percentile spread · 23% rated it 4 or lower

Most loved · editor

Henry Aldrich's Little Secret (1944)

Midcredits 82nd · 62% liked

Reviewers score the pacing 48/100 in their films, across 15 reviewed titles; fans 58, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Everett Douglas work with?

People who share at least 2 of Everett Douglas' MovieCove titles, grouped by what they did on them; Byron Haskin shares the most, 3.

Directors

Writers

Actors

Composers and cinematographers

Producers