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José Luis Jerez Aloza

Producer and writer

Works as
Producer and writer
Titles
6 on MovieCove · 26 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)

Known for

TMDB popularity, last 38 days to Oct 27Up 25% in 30 days

What are José Luis Jerez Aloza's films like?

Across their 5 MovieCove titles with a thematic analysis, their films lean Morality and Self.

Themes

share of theme weight
Morality
69%
Self
13%
Society
11%
Power
3%
Ideas
3%
Justice3 titles, browse their movies with this theme

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category
Light: How heavy the subject matter and outlook get. Browse their light movies.
Tone · Weight
lightdark

Light 3 · Serious 1 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

Grounded 1 · Stylized 2 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 1 · Charged 3 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 2 · Shifting 3 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 0 · Even-paced 4 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 2 · Engaged 3 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 3 · Open-ended 2 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
3
Absurd
2
Joyful
2
Thrilling
2
Warm
1
Other
3

How their films linger

Fun3 titles, browse their movies with this aftertasteFeel-good3 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy2
  • Bittersweet3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch José Luis Jerez Aloza's films?

As of October 24, 2026, 3 of their 6 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for José Luis Jerez Aloza's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

26 credits, 6 with a MovieCove page.

  • Secuestro a la española (not in the MovieCove catalog yet)(1972)

    Line Producer

  • The Underground (not in the MovieCove catalog yet)(1970)

    Screenplay

  • Viva Cangaceiro(1969)

    Screenplay · Story

    Midcredits score: 55th percentile of all films

  • I Do Not Forgive... I Kill! (not in the MovieCove catalog yet)(1968)

    Producer

  • Kitosch, the Man Who Came from the North (not in the MovieCove catalog yet)(1967)

    Production Manager

  • Lucky, el intrépido(1967)

    Producer

    Midcredits score: 28th percentile of all films

  • Django Does Not Forgive (not in the MovieCove catalog yet)(1966)

    Production Manager

  • 2 mafiosi contro Al Capone(1966)

    Production Manager

    Midcredits score: 28th percentile of all films

  • Left Handed Johnny West (not in the MovieCove catalog yet)(1965)

    Production Manager · Writer

  • Espionage in Tangiers(1965)

    Screenplay

    Midcredits score: 9th percentile of all films

  • Texas Jim (not in the MovieCove catalog yet)(1965)

    Production Manager

  • Relevo para un pistolero (not in the MovieCove catalog yet)(1964)

    Line Producer

  • Plaza de Oriente (not in the MovieCove catalog yet)(1963)

    Production Manager

  • Perseo l'invincibile(1963)

    Producer

    Midcredits score: 11th percentile of all films

  • Los pedigüeños (not in the MovieCove catalog yet)(1961)

    General Manager

  • El pobre García (not in the MovieCove catalog yet)(1961)

    Production Manager

  • La rosa roja (not in the MovieCove catalog yet)(1960)

    Production Manager

  • La Rana Verde (not in the MovieCove catalog yet)(1958)

    Production Director

  • Aquellos tiempos del cuplé (not in the MovieCove catalog yet)(1958)

    Production Manager

  • Messengers of Peace (not in the MovieCove catalog yet)(1957)

    Associate Producer · Production Manager

  • La puerta abierta (not in the MovieCove catalog yet)(1957)

    Production Manager

  • The Rocket from Calabuch(1956)

    Line Producer

    Midcredits score: 90th percentile of all films

  • Curra Veleta (not in the MovieCove catalog yet)(1956)

    Line Producer

  • Cabaret (not in the MovieCove catalog yet)(1953)

    Production Manager

  • Segundo López, Urban Adventurer (not in the MovieCove catalog yet)(1953)

    Production Director

  • Porque te vi llorar (not in the MovieCove catalog yet)(1941)

    Assistant Director

Career shape

A full career of 24 titles from 1941 to 1972.

Highest rated

The Rocket from Calabuch (1956)

Midcredits 90th

By role

only this rolewith another role
Writing4 of 24: 3 only writing, 1 with another roleProducing6 of 24: 5 only producing, 1 with another roleOther crew16 of 24: 14 only other crew, 2 with another role

By decade

1940s1 · crew1950s8 · crew1960s13 · crew1970s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do José Luis Jerez Aloza's films land?

Their typical MovieCove film has a Midcredits score in the 28th percentile, the median of all 6; across their 5 films with reception data, the typical film sits in the 25th percentile for acclaim.

Acclaim · how much people like their films

25thpercentile
Typical film, the median of 5

Approval · how many liked their films

33rdpercentile
Typical film, the median of 5

Reach · how many have seen their films

29thpercentile
Typical film, the median of 5

Midcredits score across 6 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th2

Shape of the crowd

4 of their 6 titles are Mixed.

  • Crowd Pleaser2
  • Mixed4

Most divisive · writer

Espionage in Tangiers (1965)

57th percentile spread · 37% rated it 4 or lower

Most loved · producer

The Rocket from Calabuch (1956)

Midcredits 90th · 79% liked

Reviewers score the dialogue 43/100 and the plot and story 40/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does José Luis Jerez Aloza work with?

People who share at least 2 of José Luis Jerez Aloza's MovieCove titles, grouped by what they did on them; José Luis Martínez Mollá shares the most, 2.

Writers

Producers