
Anna Karina (22 September 1940 - 14 December 2019) was a Danish film actress, director, and screenwriter who spent most of her working life in France. Karina was known as a muse of the director Jean-Luc Godard, one of the pioneers of the French New Wave. Her notable collaborations with Godard include The Little Soldier (1960), A Woman Is a Woman (1961) and Vivre sa vie (1962). With A Woman Is a Woman, Karina won the Best Actress award at the Berlin Film Festival. In 1972, Karina set up a production company for Vivre ensemble (1973), her directorial debut, which screened in the Critics' Week lineup at the 26th Cannes Film Festival. She also directed the French-Canadian film Victoria (2008). In addition to her work in cinema, she worked as a singer and wrote several novels.
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Biography from TMDB.
- September 22, 1940
- December 14, 2019 (aged 79)
- Solbjerg, Denmark
- Actor, also director, writer and producer
- 35 on MovieCove · 79 credits in all
What are Anna Karina's films like?
Across their 31 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 4 · Wry 6 · Earnest 21
A split, not a type: Light 12 · Serious 8 · Dark 11
A split, not a type: Grounded 10 · Stylized 8 · Heightened 13
Gentle 9 · Charged 18 · Intense 4
Steady 13 · Shifting 13 · Whiplash 5
Straight-faced 19 · Some laughs 9 · Funny 3
Slow burn 19 · Even-paced 12 · Relentless 0
Casual 6 · Engaged 16 · Full focus 9
Easy watch 10 · Affecting 15 · Heavy 6
A split, not a type: Resolved 10 · Open-ended 7 · Ambiguous 14
Roles they play
Usually the Hero: 5 of 19 analyzed roles.
Show the 19 rolesHide the roles
- Heroas Angela in A Woman Is a Woman (1961)
- Heroas Dagmar in Le soleil dans l'oeil (1962)
- Allyas Rose in Circle of Love (1964)
- Shapeshifteras Odile in Band of Outsiders (1964)
- Shapeshifteras Marianne Renoir in Pierrot le fou (1965)
- Heraldas Marianne Renoir in Pierrot le fou (1965)
- Shapeshifteras Natacha von Braun in Alphaville (1965)
- Heroas Paula Nelson in Made in U.S.A (1966)
- Allyas Marie Cardona in The Stranger (1967)
- Heroas Elena in Zärtliche Haie (1967)
- Shadowas Elle (la servante) in Appointment in Bray (1971)
- Heroas Julie Andersen in Vivre ensemble (1973)
- Shapeshifteras Natascha in Ausgerechnet Bananen (1978)
- Heraldas Regina in Regina Roma (1983)
- Shadowas Berthe Granjeux in Ave Maria (1984)
- Allyas Catherine in L'oeuvre au noir (1988)
- Mentoras Katia in Chloé (1996)
- Mentoras Gloria in Moi César, 10 ans 1/2, 1m39 (2003)
- Heraldas Victoria in Victoria (2008)
Moods and endings
- Happy5
- Bittersweet10
- Tragic5
- Ambiguous11
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Anna Karina's films?
As of October 24, 2026, 13 of their 35 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (7).
Subscription and free streaming for Anna Karina's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
79 credits, 35 with a MovieCove page; 25 appearances as themselves are hidden until asked for.

Proust Palimpsesto: Pastiches e Misturas (not in the MovieCove catalog yet)(2026)

The Wild Palms (not in the MovieCove catalog yet)(2025)

Sang titre (not in the MovieCove catalog yet)(2025)

Quantum Cowboys(2022)
Midcredits score: 49th percentile of all films
Sem Título #8: Vai Sobreviver (not in the MovieCove catalog yet)(2022)

Every Day Words Disappear (not in the MovieCove catalog yet)(2015)

Brigitte Bardot: The Icon of France (not in the MovieCove catalog yet)(2009)

Victoria(2008)
Midcredits score: 30th percentile of all films (provisional, few ratings)
To Each His Own Cinema(2007)
Midcredits score: 70th percentile of all films
Midcredits score: 47th percentile of all films
The Truth About Charlie(2002)
Midcredits score: 11th percentile of all films
In the Darkness of Time (not in the MovieCove catalog yet)(2002)
Nom de code : Sacha (not in the MovieCove catalog yet)(2001)

Set Me Free (not in the MovieCove catalog yet)(1999)

Chloé(1996)
Midcredits score: 35th percentile of all films
Up, Down, Fragile(1995)
Midcredits score: 86th percentile of all films
Dark Galaxy (not in the MovieCove catalog yet)(1993)

Manden der ville være skyldig (not in the MovieCove catalog yet)(1990)

L'oeuvre au noir(1988)
Midcredits score: 64th percentile of all films
Cayenne Palace (not in the MovieCove catalog yet)(1987)

Last Song (not in the MovieCove catalog yet)(1987)

Dernier été à Tanger(1987)
Midcredits score: 9th percentile of all films
Blockhaus USA (not in the MovieCove catalog yet)(1986)

Treasure Island(1986)
Midcredits score: 55th percentile of all films
Ave Maria(1984)
Midcredits score: 19th percentile of all films (provisional, few ratings)
A Friend of Vincent(1983)
Midcredits score: 39th percentile of all films
Regina Roma(1983)
Midcredits score: 25th percentile of all films
The Story of a Mother (not in the MovieCove catalog yet)(1979)

Just Like at Home (not in the MovieCove catalog yet)(1978)

Surprise Sock (not in the MovieCove catalog yet)(1978)

Ausgerechnet Bananen(1978)
Midcredits score: 7th percentile of all films (provisional, few ratings)
Madame le Juge (not in the MovieCove catalog yet)(1978)

Chinese Roulette(1976)
Midcredits score: 87th percentile of all films
Scrambled Eggs (not in the MovieCove catalog yet)(1976)
The Musician Killer (not in the MovieCove catalog yet)(1976)

Bread and Chocolate (not in the MovieCove catalog yet)(1974)

Morel's Invention (not in the MovieCove catalog yet)(1974)

Vivre ensemble(1973)
Midcredits score: 42nd percentile of all films
The Salzburg Connection (not in the MovieCove catalog yet)(1972)

Appointment in Bray(1971)
Midcredits score: 68th percentile of all films
Carlos (not in the MovieCove catalog yet)(1971)

The Wedding Ring (not in the MovieCove catalog yet)(1971)

The Time to Die (not in the MovieCove catalog yet)(1970)

Justine(1969)
Midcredits score: 25th percentile of all films
Laughter in the Dark (not in the MovieCove catalog yet)(1969)

Man on Horseback(1969)
Midcredits score: 53rd percentile of all films
Before Winter Comes (not in the MovieCove catalog yet)(1969)

The Magus(1968)
Midcredits score: 37th percentile of all films
Anna (not in the MovieCove catalog yet)(1968)

The Stranger(1967)
Midcredits score: 81st percentile of all films
Lamiel (not in the MovieCove catalog yet)(1967)

The Nun (not in the MovieCove catalog yet)(1967)

Anticipation, or Love in the Year 2000 (not in the MovieCove catalog yet)(1967)

The Oldest Profession(1967)
Midcredits score: 25th percentile of all films
Zärtliche Haie(1967)
Midcredits score: 37th percentile of all films (provisional, few ratings)
Made in U.S.A(1966)
Midcredits score: 53rd percentile of all films
Pierrot le fou(1965)
Midcredits score: 91st percentile of all films
Husband for Sale (not in the MovieCove catalog yet)(1965)

The Camp Followers(1965)
Midcredits score: 88th percentile of all films
Alphaville(1965)
Midcredits score: 83rd percentile of all films
The Thief of Tibadabo (not in the MovieCove catalog yet)(1965)

All About Loving (not in the MovieCove catalog yet)(1964)

Circle of Love(1964)
Midcredits score: 33rd percentile of all films
Band of Outsiders(1964)
Midcredits score: 95th percentile of all films
A Married Woman(1964)
Midcredits score: 84th percentile of all films
Sweet and Sour (not in the MovieCove catalog yet)(1963)

Scorching Sands(1963)
Midcredits score: 37th percentile of all films
Le Petit Soldat (not in the MovieCove catalog yet)(1963)

The Four Truths (not in the MovieCove catalog yet)(1962)

My Life to Live(1962)
Midcredits score: 97th percentile of all films
Le soleil dans l'oeil(1962)
Midcredits score: 3rd percentile of all films (provisional, few ratings)
Cleo from 5 to 7(1962)
Midcredits score: 98th percentile of all films
Fiancés on the Bridge (not in the MovieCove catalog yet)(1962)

She'll Have to Go (not in the MovieCove catalog yet)(1962)

Z-Cars (not in the MovieCove catalog yet)(1962)

Tonight or Never (not in the MovieCove catalog yet)(1961)

A Woman Is a Woman(1961)
Midcredits score: 90th percentile of all films
Pigen og skoene (not in the MovieCove catalog yet)(1959)

Presentation, or Charlotte and Her Steak (not in the MovieCove catalog yet)(1951)
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 77 titles from 1951 to 2026; peak year 1964.
Film career
Peak 1964 · fewer prominent film roles lately. Top draw in 7 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1951Screen debut· Presentation, or Charlotte and Her Steak
- 1961First top-billed film· A Woman Is a Woman
- 1962Breakout· Vivre Sa Vie
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Anna Karina's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 35; across their 31 films with reception data, the typical film sits in the 48th percentile for acclaim.
- 75th and up11
- 50th to 74th6
- 25th to 49th13
- Below 25th5
Shape of the crowd
14 of their 35 titles are Mixed.
- Universally Loved4
- Universally Panned1
- Cult Classic4
- Crowd Pleaser11
- Broadly Agreed1
- Mixed14
Reviewers score the acting 70/100 in their films, across 20 reviewed titles; fans 77, detractors 44. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Anna Karina's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Anna Karina work with?
People who share at least 2 of Anna Karina's MovieCove titles, grouped by what they did on them; Jean-Luc Godard shares the most, 8.
Directors
- Jean-Luc GodardShared titles: Made in U.S.A (1966), Alphaville (1965), Pierrot le fou (1965), A Married Woman (1964), Band of Outsiders (1964), Le soleil dans l'oeil (1962), My Life to Live (1962), A Woman Is a Woman (1961)See all 8 shared titles with Jean-Luc Godard

- André DelvauxShared titles: L'oeuvre au noir (1988), Appointment in Bray (1971)See all 2 shared titles with André Delvaux

Actors
- Jean BouiseShared titles: L'oeuvre au noir (1988), Dernier été à Tanger (1987), Appointment in Bray (1971)See all 3 shared titles with Jean Bouise

- Marie DuboisShared titles: A Friend of Vincent (1983), Circle of Love (1964), A Woman Is a Woman (1961)See all 3 shared titles with Marie Dubois

- László SzabóShared titles: Up, Down, Fragile (1995), Made in U.S.A (1966)See all 2 shared titles with László Szabó

- Marie-France PisierShared titles: L'oeuvre au noir (1988), A Friend of Vincent (1983)See all 2 shared titles with Marie-France Pisier

Composers, cinematographers and editors
- Raoul CoutardShared titles: Made in U.S.A (1966), Alphaville (1965), Pierrot le fou (1965), A Married Woman (1964), Band of Outsiders (1964), My Life to Live (1962), A Woman Is a Woman (1961)See all 7 shared titles with Raoul Coutard

- Agnès GuillemotShared titles: Made in U.S.A (1966), Alphaville (1965), A Married Woman (1964), Band of Outsiders (1964), My Life to Live (1962), A Woman Is a Woman (1961)See all 6 shared titles with Agnès Guillemot
- Françoise CollinShared titles: Vivre ensemble (1973), Made in U.S.A (1966), Pierrot le fou (1965), A Married Woman (1964), Band of Outsiders (1964)See all 5 shared titles with Françoise Collin
- Michel LegrandShared titles: Band of Outsiders (1964), My Life to Live (1962), A Woman Is a Woman (1961)See all 3 shared titles with Michel Legrand

Producers
- Georges de BeauregardShared titles: Made in U.S.A (1966), Pierrot le fou (1965), A Woman Is a Woman (1961)See all 3 shared titles with Georges de Beauregard

- Dino De LaurentiisShared titles: The Stranger (1967), Pierrot le fou (1965)See all 2 shared titles with Dino De Laurentiis

Mixed roles
- Jean-François StéveninShared titles: Treasure Island (1986), Chinese Roulette (1976)See all 2 shared titles with Jean-François Stévenin

- Rémo ForlaniShared titles: Made in U.S.A (1966), Pierrot le fou (1965)See all 2 shared titles with Rémo Forlani

- Eric SchlumbergerShared titles: Le soleil dans l'oeil (1962), My Life to Live (1962)See all 2 shared titles with Eric Schlumberger




