Jim Kilgore
- Cinematographer
- 4 on MovieCove
What are Jim Kilgore's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Society and Morality.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 1 · Stylized 3 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 4 · Some laughs 0 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 0 · Relentless 1
A split, not a type: Casual 2 · Engaged 1 · Full focus 1
Easy watch 2 · Affecting 2 · Heavy 0
Resolved 3 · Open-ended 1 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jim Kilgore's films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Prime Video (1).
Subscription and free streaming for Jim Kilgore's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 58th percentile of all films (provisional, few ratings)
Victory at Entebbe(1976)
Midcredits score: 42nd percentile of all films
Harlow(1965)
Midcredits score: 8th percentile of all films
The T.A.M.I. Show(1964)
Midcredits score: 98th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1964 to 1977.
Counts over their MovieCove titles; a title counts in every role they held on it.
How do Jim Kilgore's films land?
Their typical MovieCove film has a Midcredits score in the 50th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
2 of their 4 titles are Mixed.
- Universally Loved1
- Crowd Pleaser1
- Mixed2
Reviewers score the cinematography 34/100 in their films, across 4 reviewed titles; fans 41, detractors 15. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Jim Kilgore work with?
People who share at least 2 of Jim Kilgore's MovieCove titles, grouped by what they did on them; Lee Savin shares the most, 2.
Producers
- Lee SavinShared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with Lee Savin
- William Sargent Jr.Shared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with William Sargent Jr.
Mixed roles
- Al HamShared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with Al Ham