- Producer and writer
- 4 on MovieCove
What are William Sargent Jr.'s films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 1 · Serious 1 · Dark 2
Grounded 1 · Stylized 2 · Heightened 1
Gentle 0 · Charged 3 · Intense 1
Steady 4 · Shifting 0 · Whiplash 0
Straight-faced 3 · Some laughs 1 · Funny 0
A split, not a type: Slow burn 3 · Even-paced 0 · Relentless 1
A split, not a type: Casual 2 · Engaged 1 · Full focus 1
Easy watch 1 · Affecting 2 · Heavy 1
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch William Sargent Jr.'s films?
As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Prime Video (1).
Subscription and free streaming for William Sargent Jr.'s titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
4 credits, 4 with a MovieCove page.
Midcredits score: 19th percentile of all films
Harlow(1965)
Midcredits score: 8th percentile of all films
Hamlet(1964)
Midcredits score: 82nd percentile of all films
The T.A.M.I. Show(1964)
Midcredits score: 98th percentile of all films
Career shape
Across a limited sample of 4 MovieCove titles from 1964 to 1966.
How do William Sargent Jr.'s films land?
Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 44th percentile for acclaim.
- 75th and up2
- Below 25th2
Shape of the crowd
2 of their 4 titles are Mixed.
- Universally Loved1
- Crowd Pleaser1
- Mixed2
Reviewers score the dialogue 45/100 and the plot and story 44/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does William Sargent Jr. work with?
People who share at least 2 of William Sargent Jr.'s MovieCove titles, grouped by what they did on them; Al Ham shares the most, 3.
Composers, cinematographers and editors
- Al HamShared titles: Stop the World: I Want to Get Off (1966), Harlow (1965), The T.A.M.I. Show (1964)See all 3 shared titles with Al Ham
- Jim KilgoreShared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with Jim Kilgore
- Bruce B. PierceShared titles: Hamlet (1964), The T.A.M.I. Show (1964)See all 2 shared titles with Bruce B. Pierce
Producers
- Lee SavinShared titles: Harlow (1965), The T.A.M.I. Show (1964)See all 2 shared titles with Lee Savin