Javier López Blanco
- Producer
- 18 on MovieCove · 27 credits in all
What are Javier López Blanco's films like?
Across their 15 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 0 · Earnest 14
Light 1 · Serious 3 · Dark 11
A split, not a type: Grounded 10 · Stylized 3 · Heightened 2
Gentle 0 · Charged 5 · Intense 10
Steady 3 · Shifting 11 · Whiplash 1
Straight-faced 13 · Some laughs 1 · Funny 1
Slow burn 3 · Even-paced 10 · Relentless 2
Casual 1 · Engaged 7 · Full focus 7
A split, not a type: Easy watch 1 · Affecting 6 · Heavy 8
Resolved 5 · Open-ended 7 · Ambiguous 3
Moods and endings
- Bittersweet6
- Tragic2
- Ambiguous7
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Javier López Blanco's films?
As of October 24, 2026, 15 of their 18 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Javier López Blanco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 18 with a MovieCove page.

The Replacement(2021)
Midcredits score: 58th percentile of all films
The Goya Murders(2019)
Midcredits score: 8th percentile of all films
The Candidate(2018)
Midcredits score: 87th percentile of all films
Midcredits score: 58th percentile of all films
The Last Suit(2017)
Midcredits score: 80th percentile of all films
Mist & the Maiden(2017)
Midcredits score: 18th percentile of all films
Rescue Under Fire(2017)
Midcredits score: 57th percentile of all films
Four Seasons in Havana (not in the MovieCove catalog yet)(2016)

May God Save Us(2016)
Midcredits score: 87th percentile of all films
Born to Win (not in the MovieCove catalog yet)(2016)

At the End of the Tunnel(2016)
Midcredits score: 81st percentile of all films
The Tip of the Iceberg(2016)
Midcredits score: 42nd percentile of all films
Happy 140 (not in the MovieCove catalog yet)(2015)

Fire(2014)
Midcredits score: 36th percentile of all films
The Ignorance of Blood(2014)
Midcredits score: 7th percentile of all films
15 Years and One Day(2013)
Midcredits score: 50th percentile of all films
Todo es silencio (not in the MovieCove catalog yet)(2012)

Frozen Silence(2011)
Midcredits score: 33rd percentile of all films
Everybody Has a Plan(2012)
Midcredits score: 27th percentile of all films
Sex, Party & Lies(2009)
Midcredits score: 7th percentile of all films
Mercenary (not in the MovieCove catalog yet)(2005)

The Galíndez File (not in the MovieCove catalog yet)(2003)

El corazón del guerrero(1999)
Midcredits score: 31st percentile of all films
Mensaka (not in the MovieCove catalog yet)(1998)

Martin (Hache) (not in the MovieCove catalog yet)(1997)

Ecstasy(1996)
Midcredits score: 61st percentile of all films
Al acecho (not in the MovieCove catalog yet)(1987)
Career shape
A full career of 20 titles from 1987 to 2021.

Biggest box office
Sex, Party & Lies (2009)

Highest rated
The Candidate (2018)

Most popular right now
Sex, Party & Lies (2009)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Javier López Blanco's films land?
Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 18; across their 15 films with reception data, the typical film sits in the 43rd percentile for acclaim.
- 75th and up4
- 50th to 74th5
- 25th to 49th5
- Below 25th4
Shape of the crowd
8 of their 18 titles are Crowd Pleasers.
- Crowd Pleaser8
- Broadly Agreed4
- Mixed6
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Javier López Blanco's work okay for kids?
Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Javier López Blanco work with?
People who share at least 2 of Javier López Blanco's MovieCove titles, grouped by what they did on them; Gerardo Herrero shares the most, 15.
Directors
- Rodrigo SorogoyenShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Rodrigo Sorogoyen

Writers
- Isabel PeñaShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Isabel Peña

- Andrés M. KoppelShared titles: Mist & the Maiden (2017), Rescue Under Fire (2017)See all 2 shared titles with Andrés M. Koppel

Actors
- Roberto ÁlamoShared titles: Mist & the Maiden (2017), Rescue Under Fire (2017), May God Save Us (2016)See all 3 shared titles with Roberto Álamo

- Antonio de la TorreShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Antonio de la Torre

- Luis ZaheraShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Luis Zahera

- María de NatiShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with María de Nati

Composers, cinematographers and editors
- Alejandro de PabloShared titles: The Replacement (2021), The Candidate (2018), May God Save Us (2016)See all 3 shared titles with Alejandro de Pablo

- Roque BañosShared titles: The Man Who Killed Don Quixote (2018), Rescue Under Fire (2017), El corazón del guerrero (1999)See all 3 shared titles with Roque Baños

- Irene BlecuaShared titles: Mist & the Maiden (2017), At the End of the Tunnel (2016), Everybody Has a Plan (2012)See all 3 shared titles with Irene Blecua

- Lucio GodoyShared titles: Mist & the Maiden (2017), At the End of the Tunnel (2016), Everybody Has a Plan (2012)See all 3 shared titles with Lucio Godoy
Producers
- Gerardo HerreroShared titles: The Replacement (2021), The Candidate (2018), The Man Who Killed Don Quixote (2018), Mist & the Maiden (2017), Rescue Under Fire (2017), At the End of the Tunnel (2016), May God Save Us (2016), The Tip of the Iceberg (2016), Fire (2014), The Ignorance of Blood (2014), 15 Years and One Day (2013), Everybody Has a Plan (2012) and 3 moreSee newest 12 of 15 shared titles with Gerardo Herrero

- Mariela BesuievskyShared titles: The Replacement (2021), The Candidate (2018), The Man Who Killed Don Quixote (2018), Mist & the Maiden (2017), At the End of the Tunnel (2016), May God Save Us (2016), The Tip of the Iceberg (2016), The Ignorance of Blood (2014), 15 Years and One Day (2013), Everybody Has a Plan (2012), Ecstasy (1996)See all 11 shared titles with Mariela Besuievsky

- Winnie BaertShared titles: The Candidate (2018), The Man Who Killed Don Quixote (2018), Mist & the Maiden (2017), May God Save Us (2016), Everybody Has a Plan (2012)See all 5 shared titles with Winnie Baert
- Mercedes GameroShared titles: The Candidate (2018), Mist & the Maiden (2017), May God Save Us (2016)See all 3 shared titles with Mercedes Gamero


