Winnie Baert
- Producer
- 7 on MovieCove
What are Winnie Baert's films like?
Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Morality.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 5
Light 0 · Serious 2 · Dark 5
Grounded 2 · Stylized 3 · Heightened 2
A split, not a type: Gentle 0 · Charged 3 · Intense 4
Steady 1 · Shifting 4 · Whiplash 2
A split, not a type: Straight-faced 4 · Some laughs 2 · Funny 1
Slow burn 1 · Even-paced 5 · Relentless 1
Casual 1 · Engaged 3 · Full focus 3
A split, not a type: Easy watch 2 · Affecting 1 · Heavy 4
Resolved 0 · Open-ended 5 · Ambiguous 2
Moods and endings
- Bittersweet1
- Tragic2
- Ambiguous4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Winnie Baert's films?
As of October 24, 2026, 5 of their 7 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Winnie Baert's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
7 credits, 7 with a MovieCove page.
El fantasma de mi mujer(2026)
Midcredits score: 10th percentile of all films
The Candidate(2018)
Midcredits score: 87th percentile of all films
Midcredits score: 58th percentile of all films
Mist & the Maiden(2017)
Midcredits score: 18th percentile of all films
May God Save Us(2016)
Midcredits score: 87th percentile of all films
Everybody Has a Plan(2012)
Midcredits score: 27th percentile of all films
The Last Circus(2010)
Midcredits score: 65th percentile of all films
Career shape
Across their 7 MovieCove titles from 2010 to 2026.
How do Winnie Baert's films land?
Their typical MovieCove film has a Midcredits score in the 58th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up2
- 50th to 74th2
- 25th to 49th1
- Below 25th2
Shape of the crowd
None of their 7 titles divides audiences: 4 are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser4
- Broadly Agreed1
- Mixed1
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Winnie Baert's work okay for kids?
Across a limited sample of up to 4 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Winnie Baert work with?
People who share at least 2 of Winnie Baert's MovieCove titles, grouped by what they did on them; Gerardo Herrero shares the most, 6.
Directors
- Rodrigo SorogoyenShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Rodrigo Sorogoyen
Writers
- Isabel PeñaShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Isabel Peña
Actors
- Antonio de la TorreShared titles: The Candidate (2018), May God Save Us (2016), The Last Circus (2010)See all 3 shared titles with Antonio de la Torre
- Luis ZaheraShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Luis Zahera
- María de NatiShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with María de Nati
- Mónica LópezShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Mónica López
Composers, cinematographers and editors
- Alberto del CampoShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Alberto del Campo
- Alejandro de PabloShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Alejandro de Pablo
- Olivier ArsonShared titles: The Candidate (2018), May God Save Us (2016)See all 2 shared titles with Olivier Arson
- Roque BañosShared titles: The Man Who Killed Don Quixote (2018), The Last Circus (2010)See all 2 shared titles with Roque Baños
Producers
- Gerardo HerreroShared titles: The Candidate (2018), The Man Who Killed Don Quixote (2018), Mist & the Maiden (2017), May God Save Us (2016), Everybody Has a Plan (2012), The Last Circus (2010)See all 6 shared titles with Gerardo Herrero
- Javier López BlancoShared titles: The Candidate (2018), The Man Who Killed Don Quixote (2018), Mist & the Maiden (2017), May God Save Us (2016), Everybody Has a Plan (2012)See all 5 shared titles with Javier López Blanco
- Mariela BesuievskyShared titles: The Candidate (2018), The Man Who Killed Don Quixote (2018), Mist & the Maiden (2017), May God Save Us (2016), Everybody Has a Plan (2012)See all 5 shared titles with Mariela Besuievsky
- Mercedes GameroShared titles: The Candidate (2018), Mist & the Maiden (2017), May God Save Us (2016)See all 3 shared titles with Mercedes Gamero
