Francesco Malvestito
- Editor
- 5 on MovieCove
What are Francesco Malvestito's films like?
Across their 5 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
A split, not a type: Light 3 · Serious 1 · Dark 1
A split, not a type: Grounded 2 · Stylized 1 · Heightened 2
Gentle 2 · Charged 2 · Intense 1
Steady 4 · Shifting 1 · Whiplash 0
A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2
Slow burn 4 · Even-paced 1 · Relentless 0
Casual 4 · Engaged 1 · Full focus 0
Easy watch 2 · Affecting 2 · Heavy 1
Resolved 3 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy2
- Bittersweet3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Francesco Malvestito's films?
As of October 24, 2026, 1 of their 5 MovieCove titles stream on a subscription or free service, on The Roku Channel (1).
Subscription and free streaming for Francesco Malvestito's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 5 with a MovieCove page.
Midcredits score: 84th percentile of all films
La maschera(1988)
Midcredits score: 46th percentile of all films
The Family(1987)
Midcredits score: 92nd percentile of all films
Midcredits score: 27th percentile of all films
Gun Moll(1975)
Midcredits score: 27th percentile of all films
Career shape
Across their 5 MovieCove titles from 1975 to 1990.
How do Francesco Malvestito's films land?
Their typical MovieCove film has a Midcredits score in the 46th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 47th percentile for acclaim.
- 75th and up2
- 25th to 49th3
Shape of the crowd
3 of their 5 titles are Mixed.
- Crowd Pleaser2
- Mixed3
Reviewers score the pacing 54/100 in their films, across 4 reviewed titles; fans 65, detractors 30. The element that speaks to their work as an editor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Francesco Malvestito work with?
People who share at least 2 of Francesco Malvestito's MovieCove titles, grouped by what they did on them; Ettore Scola shares the most, 2.
Directors
- Ettore ScolaShared titles: The Voyage of Captain Fracassa (1990), The Family (1987)See all 2 shared titles with Ettore Scola

Writers
- Furio ScarpelliShared titles: The Voyage of Captain Fracassa (1990), The Family (1987)See all 2 shared titles with Furio Scarpelli

Composers
- Armando TrovajoliShared titles: The Voyage of Captain Fracassa (1990), The Family (1987)See all 2 shared titles with Armando Trovajoli

Producers
- Franco CommitteriShared titles: The Voyage of Captain Fracassa (1990), The Family (1987)See all 2 shared titles with Franco Committeri