Arthur Phillips
- Writer
- 10 on MovieCove · 16 credits in all
What are Arthur Phillips' films like?
Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 4
Light 6 · Serious 0 · Dark 0
A split, not a type: Grounded 3 · Stylized 2 · Heightened 1
Gentle 5 · Charged 1 · Intense 0
Steady 6 · Shifting 0 · Whiplash 0
Straight-faced 0 · Some laughs 2 · Funny 4
Slow burn 2 · Even-paced 4 · Relentless 0
Casual 6 · Engaged 0 · Full focus 0
Easy watch 5 · Affecting 1 · Heavy 0
Resolved 6 · Open-ended 0 · Ambiguous 0
Moods and endings
- Happy6
- Ambiguous1
- Cyclical1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Arthur Phillips' films?
As of October 24, 2026, 4 of their 10 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Arthur Phillips' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
16 credits, 10 with a MovieCove page.
In the Beginning (not in the MovieCove catalog yet)(1978)
The Lost Saucer(1975)
Midcredits score: 25th percentile of all shows
Chico and the Man(1974)
Midcredits score: 38th percentile of all shows
The Flintstones(1960)
Midcredits score: 72nd percentile of all shows
Love, Honor and Goodbye (not in the MovieCove catalog yet)(1945)
Out of This World(1945)
Midcredits score: 51st percentile of all films
Delightfully Dangerous(1945)
Midcredits score: 27th percentile of all films
Rainbow Island (not in the MovieCove catalog yet)(1944)
Riding High (not in the MovieCove catalog yet)(1943)
Dixie(1943)
Midcredits score: 48th percentile of all films
The Lady Has Plans(1942)
Midcredits score: 56th percentile of all films
Road to Morocco(1942)
Midcredits score: 83rd percentile of all films
Playmates(1941)
Midcredits score: 25th percentile of all films
Yellowstone(1936)
Midcredits score: 13th percentile of all films
Limehouse Blues (not in the MovieCove catalog yet)(1934)
Life's a Stage (not in the MovieCove catalog yet)(1930)
Career shape
A full career of 13 titles from 1930 to 1978.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Arthur Phillips' films land?
Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 7; across their 6 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 75th and up1
- 50th to 74th3
- 25th to 49th5
- Below 25th1
Shape of the crowd
5 of their 10 titles are Crowd Pleasers.
- Crowd Pleaser5
- Broadly Agreed2
- Mixed3
Reviewers score the dialogue 51/100 and the plot and story 35/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Arthur Phillips work with?
People who share at least 2 of Arthur Phillips' MovieCove titles, grouped by what they did on them; Arthur Lubin shares the most, 2.
Directors
- Arthur LubinShared titles: Delightfully Dangerous (1945), Yellowstone (1936)See all 2 shared titles with Arthur Lubin
- David ButlerShared titles: Road to Morocco (1942), Playmates (1941)See all 2 shared titles with David Butler
Writers
- Barry E. BlitzerShared titles: The Lost Saucer (1975), The Flintstones (1960)See all 2 shared titles with Barry E. Blitzer
- Larry MarkesShared titles: The Lost Saucer (1975), The Flintstones (1960)See all 2 shared titles with Larry Markes
- Walter DeLeonShared titles: Delightfully Dangerous (1945), Out of This World (1945)See all 2 shared titles with Walter DeLeon
- Barney DeanShared titles: Dixie (1943), Road to Morocco (1942)See all 2 shared titles with Barney Dean
Actors
- Bing CrosbyShared titles: Dixie (1943), Road to Morocco (1942)See all 2 shared titles with Bing Crosby
- Dorothy LamourShared titles: Dixie (1943), Road to Morocco (1942)See all 2 shared titles with Dorothy Lamour
Cinematographers and editors
- Milton R. KrasnerShared titles: Delightfully Dangerous (1945), Yellowstone (1936)See all 2 shared titles with Milton R. Krasner
- William C. MellorShared titles: Dixie (1943), Road to Morocco (1942)See all 2 shared titles with William C. Mellor
- Irene MorraShared titles: Road to Morocco (1942), Playmates (1941)See all 2 shared titles with Irene Morra
Producers
- Buddy G. DeSylvaShared titles: Dixie (1943), Road to Morocco (1942)See all 2 shared titles with Buddy G. DeSylva
- Paul JonesShared titles: Dixie (1943), Road to Morocco (1942)See all 2 shared titles with Paul Jones