- Writer and producer, also actor
- 6 on MovieCove · 17 credits in all
What are Giorgio Salvioni's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 1 · Wry 1 · Earnest 2
Light 5 · Serious 0 · Dark 1
Grounded 0 · Stylized 5 · Heightened 1
Gentle 4 · Charged 2 · Intense 0
A split, not a type: Steady 3 · Shifting 2 · Whiplash 1
Straight-faced 1 · Some laughs 1 · Funny 4
Slow burn 2 · Even-paced 4 · Relentless 0
Casual 4 · Engaged 1 · Full focus 1
Easy watch 5 · Affecting 1 · Heavy 0
Resolved 4 · Open-ended 2 · Ambiguous 0
Moods and endings
- Happy3
- Bittersweet2
- Tragic1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Giorgio Salvioni's films?
As of October 24, 2026, 2 of their 6 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Giorgio Salvioni's titles on MovieCove; rent and buy are not counted.
Filmography
17 credits, 6 with a MovieCove page.
Striker (not in the MovieCove catalog yet)(1988)
Miami Golem (not in the MovieCove catalog yet)(1985)
Tigers in Lipstick (not in the MovieCove catalog yet)(1979)
Le braghe del padrone (not in the MovieCove catalog yet)(1978)
The Pyjama Girl Case(1978)
Midcredits score: 41st percentile of all films
Sex with a Smile (not in the MovieCove catalog yet)(1976)
To Love Ophelia (not in the MovieCove catalog yet)(1974)
One Appreciated Professional of Sure Future (not in the MovieCove catalog yet)(1972)
Quella piccola differenza (not in the MovieCove catalog yet)(1969)
Midcredits score: 25th percentile of all films
Don Juan in Sicily (not in the MovieCove catalog yet)(1967)
The Queens(1966)
Midcredits score: 39th percentile of all films
The 10th Victim(1965)
Midcredits score: 69th percentile of all films
Casanova 70(1965)
Midcredits score: 56th percentile of all films
Woman Is a Wonderful Thing (not in the MovieCove catalog yet)(1964)
Controsesso (not in the MovieCove catalog yet)(1964)
The White Sheik(1952)
Midcredits score: 85th percentile of all films
Career shape
A full career of 15 titles from 1952 to 1988.
Biggest box office
The White Sheik (1952)
Highest rated
The White Sheik (1952)
Most popular right now
The 10th Victim (1965)
Film career
- 1952Screen debut· The White Sheik
How do Giorgio Salvioni's films land?
Their typical MovieCove film has a Midcredits score in the 49th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 53rd percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th3
Shape of the crowd
None of their 6 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed2
- Mixed1
Reviewers score the dialogue 49/100 and the plot and story 51/100 in their films, across 6 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Giorgio Salvioni work with?
People who share at least 2 of Giorgio Salvioni's MovieCove titles, grouped by what they did on them; Ennio Flaiano shares the most, 3.
Directors
- Mario MonicelliShared titles: The Queens (1966), Casanova 70 (1965)See all 2 shared titles with Mario Monicelli
Writers
- Ennio FlaianoShared titles: Sundance Cassidy and Butch the Kid (1969), The 10th Victim (1965), The White Sheik (1952)See all 3 shared titles with Ennio Flaiano
- Tonino GuerraShared titles: The Queens (1966), Casanova 70 (1965), The 10th Victim (1965)See all 3 shared titles with Tonino Guerra
- Suso Cecchi D'AmicoShared titles: The Queens (1966), Casanova 70 (1965)See all 2 shared titles with Suso Cecchi D'Amico
Actors
- Alberto SordiShared titles: The Queens (1966), The White Sheik (1952)See all 2 shared titles with Alberto Sordi
- Enrico Maria SalernoShared titles: The Queens (1966), Casanova 70 (1965)See all 2 shared titles with Enrico Maria Salerno
- Marcello MastroianniShared titles: Casanova 70 (1965), The 10th Victim (1965)See all 2 shared titles with Marcello Mastroianni
Composers, cinematographers and editors
- Armando TrovajoliShared titles: The Queens (1966), Casanova 70 (1965)See all 2 shared titles with Armando Trovajoli
- Leonida BarboniShared titles: The Queens (1966), The White Sheik (1952)See all 2 shared titles with Leonida Barboni
- Ruggero MastroianniShared titles: The Queens (1966), The 10th Victim (1965)See all 2 shared titles with Ruggero Mastroianni
Producers
- Carlo PontiShared titles: Casanova 70 (1965), The 10th Victim (1965)See all 2 shared titles with Carlo Ponti
- Clément LegoueixShared titles: Casanova 70 (1965), The 10th Victim (1965)See all 2 shared titles with Clément Legoueix