Leonida Barboni
Cinematographer · Died November 6, 1970, aged 60 · Fiuminata, Marche, Italy
- November 23, 1909
- November 6, 1970 (aged 60)
- Fiuminata, Marche, Italy
- Cinematographer
- 14 on MovieCove · 58 credits in all
What are Leonida Barboni's films like?
Across their 14 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 2 · Earnest 9
A split, not a type: Light 5 · Serious 3 · Dark 6
A split, not a type: Grounded 7 · Stylized 6 · Heightened 1
Gentle 4 · Charged 5 · Intense 5
Steady 8 · Shifting 5 · Whiplash 1
A split, not a type: Straight-faced 6 · Some laughs 3 · Funny 5
Slow burn 7 · Even-paced 7 · Relentless 0
Casual 6 · Engaged 7 · Full focus 1
A split, not a type: Easy watch 5 · Affecting 2 · Heavy 7
A split, not a type: Resolved 8 · Open-ended 4 · Ambiguous 2
Moods and endings
- Happy3
- Bittersweet6
- Tragic2
- Ambiguous3
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Leonida Barboni's films?
As of October 24, 2026, 4 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Leonida Barboni's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
58 credits, 14 with a MovieCove page.
1870(1972)
Midcredits score: 44th percentile of all films
Midcredits score: 79th percentile of all films (provisional, few ratings)
Tre donne - La sciantosa (not in the MovieCove catalog yet)(1971)
Bora Bora(1968)
Midcredits score: 10th percentile of all films
The Sex of Angels (not in the MovieCove catalog yet)(1968)
The Rover (not in the MovieCove catalog yet)(1967)
La traviata (not in the MovieCove catalog yet)(1967)
Pleasant Nights (not in the MovieCove catalog yet)(1966)
The Witch(1966)
Midcredits score: 63rd percentile of all films
After the Fox(1966)
Midcredits score: 58th percentile of all films
El Greco (not in the MovieCove catalog yet)(1966)
The Queens(1966)
Midcredits score: 39th percentile of all films
The Possessed(1965)
Midcredits score: 79th percentile of all films
The Dolls (not in the MovieCove catalog yet)(1965)
Controsesso (not in the MovieCove catalog yet)(1964)
Corruption (not in the MovieCove catalog yet)(1963)
The Verona Trial (not in the MovieCove catalog yet)(1963)
Disorder (not in the MovieCove catalog yet)(1962)
Latin Lovers (not in the MovieCove catalog yet)(1961)
Divorce Italian Style(1961)
Midcredits score: 97th percentile of all films
A Difficult Life(1961)
Midcredits score: 98th percentile of all films
Black City (not in the MovieCove catalog yet)(1961)
The Lovemakers (not in the MovieCove catalog yet)(1961)
The Hunchback (not in the MovieCove catalog yet)(1960)
The Traffic Policeman (not in the MovieCove catalog yet)(1960)
The Passionate Thief (not in the MovieCove catalog yet)(1960)
Run with the Devil (not in the MovieCove catalog yet)(1960)
La casa delle vedove (not in the MovieCove catalog yet)(1960)
The Facts of Murder (not in the MovieCove catalog yet)(1959)
Midcredits score: 85th percentile of all films
The Great War(1959)
Midcredits score: 98th percentile of all films
He Thief, She Thief(1958)
Midcredits score: 60th percentile of all films
Man of Straw(1958)
Midcredits score: 85th percentile of all films
I sogni nel cassetto (not in the MovieCove catalog yet)(1957)
Fathers and Sons (not in the MovieCove catalog yet)(1957)
The Railroad Man (not in the MovieCove catalog yet)(1956)
Adriana Lecouvreur (not in the MovieCove catalog yet)(1955)
Elementary School (not in the MovieCove catalog yet)(1954)
Angela (not in the MovieCove catalog yet)(1954)
Submarine Attack (not in the MovieCove catalog yet)(1954)
Jealousy (not in the MovieCove catalog yet)(1953)
Neopolitans in Milan (not in the MovieCove catalog yet)(1953)
L'Incantevole nemica (not in the MovieCove catalog yet)(1953)
Ragazze da marito (not in the MovieCove catalog yet)(1952)
The Bandit of Tacca del Lupo (not in the MovieCove catalog yet)(1952)
Mademoiselle Gobete (not in the MovieCove catalog yet)(1952)
Red Shirts - Anita Garibaldi (not in the MovieCove catalog yet)(1952)
The White Sheik(1952)
Midcredits score: 85th percentile of all films
Filumena Marturano (not in the MovieCove catalog yet)(1951)
The Path of Hope (not in the MovieCove catalog yet)(1950)
Sunday in August (not in the MovieCove catalog yet)(1950)
Margaret of Cortona (not in the MovieCove catalog yet)(1950)
Il diavolo in convento (not in the MovieCove catalog yet)(1950)
Fame and the Devil (not in the MovieCove catalog yet)(1949)
In the Name of the Law (not in the MovieCove catalog yet)(1949)
Silenzio, si gira! (not in the MovieCove catalog yet)(1943)
Il treno crociato (not in the MovieCove catalog yet)(1943)
La fanciulla dell'altra riva (not in the MovieCove catalog yet)(1942)
Career shape
A full career of 56 titles from 1942 to 1972.
Biggest box office
Divorce Italian Style (1961)
Highest rated
The Great War (1959)
Most popular right now
Divorce Italian Style (1961)
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Leonida Barboni's films land?
Their typical MovieCove film has a Midcredits score in the 79th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 72nd percentile for acclaim.
- 75th and up8
- 50th to 74th3
- 25th to 49th2
- Below 25th1
Shape of the crowd
8 of their 14 titles are Crowd Pleasers.
- Universally Loved3
- Crowd Pleaser8
- Broadly Agreed1
- Mixed2
Reviewers score the cinematography 75/100 in their films, across 11 reviewed titles; fans 78, detractors 66. The element that speaks to their work as a cinematographer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Leonida Barboni work with?
People who share at least 2 of Leonida Barboni's MovieCove titles, grouped by what they did on them; Alberto Sordi shares the most, 5.
Directors
- Alfredo GiannettiShared titles: 1870 (1972), Tre donne - 1943: Un incontro (1971), Divorce Italian Style (1961), Man of Straw (1958)See all 4 shared titles with Alfredo Giannetti
- Mario MonicelliShared titles: The Queens (1966), The Great War (1959)See all 2 shared titles with Mario Monicelli
- Pietro GermiShared titles: Divorce Italian Style (1961), Man of Straw (1958)See all 2 shared titles with Pietro Germi
Writers
- Ugo LiberatoreShared titles: Bora Bora (1968), The Witch (1966)See all 2 shared titles with Ugo Liberatore
- Rodolfo SonegoShared titles: The Queens (1966), A Difficult Life (1961)See all 2 shared titles with Rodolfo Sonego
- Suso Cecchi D'AmicoShared titles: The Queens (1966), ...and the Wild Wild Women (1959)See all 2 shared titles with Suso Cecchi D'Amico
- Agenore IncrocciShared titles: Divorce Italian Style (1961), The Great War (1959)See all 2 shared titles with Agenore Incrocci
Actors
- Alberto SordiShared titles: The Queens (1966), A Difficult Life (1961), The Great War (1959), He Thief, She Thief (1958), The White Sheik (1952)See all 5 shared titles with Alberto Sordi
- Anna MagnaniShared titles: 1870 (1972), Tre donne - 1943: Un incontro (1971), ...and the Wild Wild Women (1959)See all 3 shared titles with Anna Magnani
- Marcello MastroianniShared titles: 1870 (1972), Divorce Italian Style (1961)See all 2 shared titles with Marcello Mastroianni
- Mario CarotenutoShared titles: 1870 (1972), He Thief, She Thief (1958)See all 2 shared titles with Mario Carotenuto
Composers and editors
- Nino BaragliShared titles: The Queens (1966), The Witch (1966), The Possessed (1965)See all 3 shared titles with Nino Baragli
- Ennio MorriconeShared titles: 1870 (1972), Tre donne - 1943: Un incontro (1971)See all 2 shared titles with Ennio Morricone
- Renato CinquiniShared titles: 1870 (1972), Tre donne - 1943: Un incontro (1971)See all 2 shared titles with Renato Cinquini
- Piero PiccioniShared titles: Bora Bora (1968), After the Fox (1966)See all 2 shared titles with Piero Piccioni
Producers
- Aldo U. PassalacquaShared titles: 1870 (1972), Tre donne - 1943: Un incontro (1971)See all 2 shared titles with Aldo U. Passalacqua
- Giovanni BertolucciShared titles: 1870 (1972), Tre donne - 1943: Un incontro (1971)See all 2 shared titles with Giovanni Bertolucci
- Alfredo BiniShared titles: Bora Bora (1968), The Witch (1966)See all 2 shared titles with Alfredo Bini
- Dino De LaurentiisShared titles: A Difficult Life (1961), The Great War (1959)See all 2 shared titles with Dino De Laurentiis
Mixed roles
- Giorgio SalvioniShared titles: The Queens (1966), The White Sheik (1952)See all 2 shared titles with Giorgio Salvioni