
Alison Skipworth
Actor · Died July 5, 1952, aged 88 · London, England, UK
Alison Skipworth (born Alison Mary Elliott Margaret Groom; July 25, 1863 – July 5, 1952) was a British actress known for her work in comedy films during the 1930's.
Biography from TMDB.
- July 25, 1863
- July 5, 1952 (aged 88)
- London, England, UK
- Actor
- 14 on MovieCove · 52 credits in all
What are Alison Skipworth's films like?
Across their 13 MovieCove titles with a thematic analysis, their films lean Self and Bonds.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 1 · Wry 1 · Earnest 10
Light 10 · Serious 1 · Dark 2
A split, not a type: Grounded 6 · Stylized 4 · Heightened 3
Gentle 5 · Charged 7 · Intense 1
Steady 4 · Shifting 9 · Whiplash 0
Straight-faced 2 · Some laughs 6 · Funny 5
A split, not a type: Slow burn 9 · Even-paced 4 · Relentless 0
A split, not a type: Casual 6 · Engaged 7 · Full focus 0
Easy watch 9 · Affecting 4 · Heavy 0
Resolved 9 · Open-ended 3 · Ambiguous 1
Roles they play
Usually the Mentor: 2 of 4 analyzed roles.
- Threshold guardianas Marchesa Bianca San Giovanni in Tonight or Never (1931)
- Mentoras Miss Crawley in Becky Sharp (1935)
- Mentoras Agnes Martin in The Girl from 10th Avenue (1935)
- Allyas Lady Gertrude in The Princess Comes Across (1936)
Moods and endings
- Happy9
- Bittersweet2
- Ambiguous2
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Alison Skipworth's films?
As of October 24, 2026, 3 of their 14 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Alison Skipworth's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
52 credits, 14 with a MovieCove page.

Ladies in Distress (not in the MovieCove catalog yet)(1938)

Wide Open Faces (not in the MovieCove catalog yet)(1938)

King of the Newsboys (not in the MovieCove catalog yet)(1938)

Two Wise Maids (not in the MovieCove catalog yet)(1937)

Stolen Holiday (not in the MovieCove catalog yet)(1937)

White Hunter (not in the MovieCove catalog yet)(1936)

Two in a Crowd(1936)
Midcredits score: 46th percentile of all films
The Gorgeous Hussy (not in the MovieCove catalog yet)(1936)

Satan Met a Lady(1936)
Midcredits score: 38th percentile of all films
Midcredits score: 66th percentile of all films
Hitch Hike Lady (not in the MovieCove catalog yet)(1935)

Dangerous (not in the MovieCove catalog yet)(1935)

Shanghai (not in the MovieCove catalog yet)(1935)

Doubting Thomas (not in the MovieCove catalog yet)(1935)

Becky Sharp(1935)
Midcredits score: 32nd percentile of all films
Midcredits score: 74th percentile of all films
The Devil Is a Woman(1935)
Midcredits score: 77th percentile of all films
The Casino Murder Case(1935)
Midcredits score: 46th percentile of all films
Here Is My Heart (not in the MovieCove catalog yet)(1934)

The Captain Hates the Sea (not in the MovieCove catalog yet)(1934)

The Notorious Sophie Lang (not in the MovieCove catalog yet)(1934)

Shoot the Works (not in the MovieCove catalog yet)(1934)

Wharf Angel (not in the MovieCove catalog yet)(1934)

Coming Out Party (not in the MovieCove catalog yet)(1934)

Hollywood on Parade No. B-1 (not in the MovieCove catalog yet)(1934)

Six of a Kind(1934)
Midcredits score: 68th percentile of all films
Alice in Wonderland(1933)
Midcredits score: 51st percentile of all films
Tillie and Gus (not in the MovieCove catalog yet)(1933)

Midnight Club (not in the MovieCove catalog yet)(1933)

The Song of Songs(1933)
Midcredits score: 74th percentile of all films
A Lady's Profession (not in the MovieCove catalog yet)(1933)

He Learned About Women (not in the MovieCove catalog yet)(1933)

Tonight Is Ours (not in the MovieCove catalog yet)(1933)

If I Had a Million(1932)
Midcredits score: 76th percentile of all films
Night After Night (not in the MovieCove catalog yet)(1932)

Madame Racketeer (not in the MovieCove catalog yet)(1932)

Sinners in the Sun (not in the MovieCove catalog yet)(1932)

High Pressure (not in the MovieCove catalog yet)(1932)

The Unexpected Father (not in the MovieCove catalog yet)(1932)

Devotion (not in the MovieCove catalog yet)(1931)

The Road to Singapore (not in the MovieCove catalog yet)(1931)

The Night Angel (not in the MovieCove catalog yet)(1931)

Virtuous Husband(1931)
Midcredits score: 69th percentile of all films (provisional, few ratings)
Tonight or Never(1931)
Midcredits score: 67th percentile of all films
Oh, for a Man! (not in the MovieCove catalog yet)(1930)

Du Barry, Woman of Passion (not in the MovieCove catalog yet)(1930)

Outward Bound (not in the MovieCove catalog yet)(1930)

Raffles(1930)
Midcredits score: 59th percentile of all films
Strictly Unconventional (not in the MovieCove catalog yet)(1930)

Handcuffs or Kisses (not in the MovieCove catalog yet)(1921)

39 East (not in the MovieCove catalog yet)(1920)
Into the Jungle (not in the MovieCove catalog yet)(1912)
Career shape
Star power in the 84th percentile of 239,109 people with a billed film role, over a full career of 52 titles from 1912 to 1938.

Biggest box office
The Devil Is a Woman (1935)

Highest rated
The Devil Is a Woman (1935)

Most popular right now
The Song of Songs (1933)
Film career
- 1932Screen debut· If I Had a Million
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30.
How do Alison Skipworth's films land?
Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 14; across their 13 films with reception data, the typical film sits in the 63rd percentile for acclaim.
- 75th and up2
- 50th to 74th8
- 25th to 49th4
Shape of the crowd
9 of their 14 titles are Crowd Pleasers.
- Cult Classic1
- Crowd Pleaser9
- Broadly Agreed2
- Mixed2
Reviewers score the acting 72/100 in their films, across 11 reviewed titles; fans 79, detractors 52. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Alison Skipworth work with?
People who share at least 2 of Alison Skipworth's MovieCove titles, grouped by what they did on them; Heinz Roemheld shares the most, 4.
Directors
- Alfred E. GreenShared titles: Two in a Crowd (1936), The Girl from 10th Avenue (1935)See all 2 shared titles with Alfred E. Green

- Rouben MamoulianShared titles: Becky Sharp (1935), The Song of Songs (1933)See all 2 shared titles with Rouben Mamoulian

Writers
- Walter DeLeonShared titles: The Princess Comes Across (1936), Six of a Kind (1934)See all 2 shared titles with Walter DeLeon
Actors
- Bette DavisShared titles: Satan Met a Lady (1936), The Girl from 10th Avenue (1935)See all 2 shared titles with Bette Davis

- Porter HallShared titles: Satan Met a Lady (1936), The Princess Comes Across (1936)See all 2 shared titles with Porter Hall

- Lionel AtwillShared titles: The Devil Is a Woman (1935), The Song of Songs (1933)See all 2 shared titles with Lionel Atwill

- Marlene DietrichShared titles: The Devil Is a Woman (1935), The Song of Songs (1933)See all 2 shared titles with Marlene Dietrich

Composers and cinematographers
- Heinz RoemheldShared titles: Satan Met a Lady (1936), Two in a Crowd (1936), The Devil Is a Woman (1935), The Girl from 10th Avenue (1935)See all 4 shared titles with Heinz Roemheld

- John LeipoldShared titles: The Princess Comes Across (1936), The Devil Is a Woman (1935), Six of a Kind (1934)See all 3 shared titles with John Leipold

- Bernhard KaunShared titles: Satan Met a Lady (1936), The Song of Songs (1933)See all 2 shared titles with Bernhard Kaun
- Gregg TolandShared titles: Tonight or Never (1931), Raffles (1930)See all 2 shared titles with Gregg Toland

Producers
- Emanuel CohenShared titles: The Devil Is a Woman (1935), Six of a Kind (1934)See all 2 shared titles with Emanuel Cohen

- Samuel GoldwynShared titles: Tonight or Never (1931), Raffles (1930)See all 2 shared titles with Samuel Goldwyn



