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Jonathan M. Black

Jonathan M. Black

Producer

Over the past two decades, Jonathan has established a highly successful career Producing, Executive Producing, Co-Producing and providing physical production services for more than 50 feature films and various TV shows. He is a highly sought-after producer with the ability to oversee productions from script to distribution, with a focus on physical producing. He brings all of this experience to Chair 10 Productions as a Partner and Producer, providing production services in lower and mid Hudson Valley, New York and Connecticut. Jonathan's producing career has given him the opportunity to work with all the major studios and streamers. Jonathan was also part of building Blue Fox Entertainment as Vice President of Product Management. In that role, he established, cultivated and facilitated filmmaker relationships to optimize productivity, as well was providing production services for Blue Fox's clients and slate of films. Prior to that, as Vice President of Production for Cinipix, he shepherded productions and collaborated with filmmakers to efficiently produce the company's feature film slate. In addition to producing and providing production services for films, Jonathan produced and oversaw physical production for numerous national commercials for brands like Coca-Cola, McDonald's, Lowe's, Wal-Mart, Mercedes Benz and Home Depot. Originally from Atlanta, Georgia, Jonathan first became interested in entertainment while working in Event Productions for the 2002 Olympics in Salt Lake City, Utah. He also served in the U.S. Air Force, graduating from the Airman Leadership School as an honors graduate. Subsequent to his service, he obtained a Bachelor of Science in Philosophy from Utah State University, where he is an alumnus of Beta Theta Pi. Jonathan is a member of the Producers Guild of America. He lives with his family in Connecticut, and is father to two wonderful girls and a highly active border collie named Bailey. He's famous for his family's BBQ sauce, made from a 100-year-old recipe, which he shares with all his clients because to him, clients are like family.

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Biography from IMDb.

Works as
Producer
Titles
33 on MovieCove

What are Jonathan M. Black's films like?

Across their 33 MovieCove titles with a thematic analysis, their films lean Survival and Self.

What they feel like to watch

their average across 33 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 8 · Serious 9 · Dark 16

Grounded 20 · Stylized 12 · Heightened 1

Gentle 8 · Charged 15 · Intense 10

Steady 15 · Shifting 17 · Whiplash 1

Straight-faced 22 · Some laughs 5 · Funny 6

Slow burn 15 · Even-paced 18 · Relentless 0

A split, not a type: Casual 17 · Engaged 13 · Full focus 3

Easy watch 8 · Affecting 18 · Heavy 7

A split, not a type: Resolved 18 · Open-ended 9 · Ambiguous 6

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
23
Dread
18
Melancholic
12
Joyful
5
Bittersweet
6
Other
28

How their films end · 10 with a twist

  • Happy5
  • Bittersweet10
  • Tragic3
  • Ambiguous15

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jonathan M. Black's films?

As of October 24, 2026, 26 of their 33 MovieCove titles stream on a subscription or free service, most on Tubi (25).

Subscription and free streaming for Jonathan M. Black's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

33 credits, 33 with a MovieCove page.

  • Twisted(2026)

    Producer

    Midcredits score: 7th percentile of all films
  • Last Three Days(2020)

    Producer

    Midcredits score: 12th percentile of all films
  • Odd Man Rush(2020)

    Producer

    Midcredits score: 29th percentile of all films
  • She's in Portland(2020)

    Producer

    Midcredits score: 42nd percentile of all films
  • Agenda: Payback(2018)

    Producer

    Midcredits score: 10th percentile of all films
  • Eat Me(2018)

    Producer

    Midcredits score: 22nd percentile of all films
  • Primal Rage(2018)

    Producer

    Midcredits score: 18th percentile of all films
  • The Truth About Lies(2018)

    Producer

    Midcredits score: 23rd percentile of all films
  • 200 Degrees(2017)

    Producer

    Midcredits score: 10th percentile of all films
  • A Demon Within(2017)

    Producer

    Midcredits score: 6th percentile of all films
  • Becks(2017)

    Producer

    Midcredits score: 55th percentile of all films
  • Big Bear(2017)

    Producer

    Midcredits score: 18th percentile of all films
  • Flashburn(2017)

    Producer

    Midcredits score: 3rd percentile of all films
  • Rift(2017)

    Producer

    Midcredits score: 46th percentile of all films
  • Secrets(2017)

    Producer

    Midcredits score: 33rd percentile of all films
  • Dark Signal(2016)

    Producer

    Midcredits score: 13th percentile of all films
  • Good Tidings(2016)

    Producer

    Midcredits score: 13th percentile of all films
  • Havenhurst(2016)

    Producer

    Midcredits score: 10th percentile of all films
  • Heartland(2016)

    Producer

    Midcredits score: 46th percentile of all films
  • Shortwave(2016)

    Producer

    Midcredits score: 32nd percentile of all films
  • The Caretaker(2016)

    Producer

    Midcredits score: 7th percentile of all films
  • The Sighting(2016)

    Producer

    Midcredits score: 7th percentile of all films
  • The Suffering(2016)

    Producer

    Midcredits score: 14th percentile of all films
  • The Windmill(2016)

    Producer

    Midcredits score: 10th percentile of all films
  • Unleashed(2016)

    Producer

    Midcredits score: 55th percentile of all films
  • Anarchy Parlor(2015)

    Producer

    Midcredits score: 12th percentile of all films
  • Bloodsucking Bastards(2015)

    Producer

    Midcredits score: 31st percentile of all films
  • The Walking Deceased(2015)

    Producer

    Midcredits score: 4th percentile of all films
  • Blood Ransom(2014)

    Producer

    Midcredits score: 24th percentile of all films
  • City of Dead Men(2014)

    Producer

    Midcredits score: 8th percentile of all films
  • Midcredits score: 45th percentile of all films
  • Midcredits score: 11th percentile of all films
  • Abby Singer(2003)

    Producer

    Midcredits score: 24th percentile of all films

Career shape

Across their 33 MovieCove titles from 2003 to 2026.

By role

only this rolewith another role
Producing33 of 33: 33 only producing, 0 with another role · typical Midcredits score14th

By decade

2000s1 · crew2010s28 · crew2020s4 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Jonathan M. Black's films land?

Their typical MovieCove film has a Midcredits score in the 14th percentile, the median of all 33; across their 33 films with reception data, the typical film sits in the 16th percentile for acclaim.

Acclaim · how much people like their films

16thpercentile
Typical film, the median of 33

Approval · how many liked their films

15thpercentile
Typical film, the median of 33

Reach · how many have seen their films

57thpercentile
Typical film, the median of 33

Midcredits score across 33 titles, by percentile

  • 50th to 74th2
  • 25th to 49th8
  • Below 25th23

Shape of the crowd

25 of their 33 titles are Mixed.

  • Universally Panned1
  • Divisive4
  • Cult Classic2
  • Crowd Pleaser1
  • Mixed25

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jonathan M. Black's work okay for kids?

Across up to 7 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity7 titles38–72 · median 44 · moderateheavier than most filmsMedian of all films: 32

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jonathan M. Black work with?

People who share at least 2 of Jonathan M. Black's MovieCove titles, grouped by what they did on them; Todd Slater shares the most, 26.

Directors

Writers

Actors

Composers and cinematographers

Producers