
Natalie Wood
Actor · Died November 29, 1981, aged 43 · San Francisco, California, USA
Natalie Wood (née Zacharenko; July 20, 1938 – November 29, 1981) was an American actress who began her career in film as a child and successfully transitioned to young adult roles. Wood started acting at age four and was given a co-starring role at age 8 in Miracle on 34th Street (1947). As a teenager, she was nominated for an Academy Award for Best Supporting Actress for her performance in Rebel Without a Cause (1955), followed by a role in John Ford's The Searchers (1956). Wood starred in the musical films West Side Story (1961) and Gypsy (1962) and received nominations for an Academy Award for Best Actress for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Her career continued with films such as Sex and the Single Girl (1964), Inside Daisy Clover (1965), and Bob & Carol & Ted & Alice (1969). During the 1970s, Wood began a hiatus from film and had two daughters: one with her second husband Richard Gregson, and one with Robert Wagner, her first husband whom she married again after divorcing Gregson. She acted in only two feature films throughout the decade, but she appeared slightly more often in television productions, including a remake of From Here to Eternity (1979) for which she won a Golden Globe Award. Wood's films represented a "coming of age" for her and for Hollywood films in general. Critics have suggested that her cinematic career represents a portrait of modern American womanhood in transition, as she was one of the few to take both child roles and those of middle-aged characters. Wood died off the coast of Santa Catalina Island on November 29, 1981, at age 43, during a holiday break from the production of her would-be comeback film Brainstorm (1983) with Christopher Walken. The events surrounding her death have been the subject of conflicting witness statements, prompting the Los Angeles County Sheriff's Department, under the instruction of the coroner's office, to list her cause of death as "drowning and other undetermined factors" in 2012. Description above from the Wikipedia article Natalie Wood, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Read moreShow less
Biography from TMDB.
- July 20, 1938
- November 29, 1981 (aged 43)
- San Francisco, California, USA
- Actor
- 47 on MovieCove · 81 credits in all
What are Natalie Wood's films like?
Across their 42 MovieCove titles with a thematic analysis, their films lean Bonds and Self.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
Ironic 2 · Wry 2 · Earnest 38
A split, not a type: Light 19 · Serious 8 · Dark 15
A split, not a type: Grounded 23 · Stylized 17 · Heightened 2
Gentle 16 · Charged 17 · Intense 9
Steady 17 · Shifting 22 · Whiplash 3
A split, not a type: Straight-faced 24 · Some laughs 9 · Funny 9
Slow burn 23 · Even-paced 18 · Relentless 1
Casual 28 · Engaged 13 · Full focus 1
A split, not a type: Easy watch 20 · Affecting 8 · Heavy 14
Resolved 37 · Open-ended 3 · Ambiguous 2
Roles they play
Usually the Hero: 9 of 31 analyzed roles.
Show the 31 rolesHide the roles
- Heroas Jenny Hollingsworth in Driftwood (1947)
- Tricksteras Susan Walker in Miracle on 34th Street (1947)
- Tricksteras Eufraznee 'Bean' McGill in Scudda Hoo! Scudda Hay! (1948)
- Heraldas Susan Matthews in The Green Promise (1949)
- Allyas Polly Scott in No Sad Songs for Me (1950)
- Allyas Gretchen in The Star (1952)
- Allyas Judy in Rebel Without a Cause (1955)
- Allyas Maria-Christina Colton in The Burning Hills (1956)
- Shapeshifteras Elizabeth Taggart in A Cry in the Night (1956)
- Heraldas Susan Daniels in The Girl He Left Behind (1956)
- Heraldas Lois Brennan in Bombers B-52 (1957)
- Heroas Marjorie Morgenstern in Marjorie Morningstar (1958)
- Shapeshifteras Lory Austen in Cash McCall (1960)
- Shapeshifteras Sarah 'Salome' Davis in All the Fine Young Cannibals (1960)
- Heroas Wilma Dean Loomis in Splendor in the Grass (1961)
- Heroas Louise Hovick in Gypsy (1962)
- Heroas Angie Rossini in Love with the Proper Stranger (1963)
- Shapeshifteras Helen Brown in Sex and the Single Girl (1964)
- Heraldas Maggie Dubois in The Great Race (1965)
- Heroas Daisy Clover in Inside Daisy Clover (1965)
- Heroas Penelope Elcott in Penelope (1966)
- Tricksteras Penelope Elcott in Penelope (1966)
- Heroas Alva in This Property Is Condemned (1966)
- Allyas Carol Sanders in Bob & Carol & Ted & Alice (1969)
- Shapeshifteras Courtney Patterson in The Affair (1973)
- Shapeshifteras Ellen Prendergast in Peeper (1975)
- Heraldas Margaret in Cat on a Hot Tin Roof (1976)
- Allyas Tatiana Donskaya in Meteor (1979)
- Allyas Mari Thompson in The Last Married Couple in America (1980)
- Heroas Eva Ryker in The Memory of Eva Ryker (1980)
- Allyas Karen Brace in Brainstorm (1983)
Moods and endings
- Happy19
- Bittersweet19
- Tragic3
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Natalie Wood's films?
As of October 24, 2026, 14 of their 47 MovieCove titles stream on a subscription or free service, most on Tubi (6).
Subscription and free streaming for Natalie Wood's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
81 credits, 47 with a MovieCove page; 36 appearances as themselves are hidden until asked for.

Proust Palimpsesto: Pastiches e Misturas (not in the MovieCove catalog yet)(2026)

Howard(2018)
Midcredits score: 93rd percentile of all films
Natalie Wood: An American Murder Mystery (not in the MovieCove catalog yet)(2018)
Midcredits score: 39th percentile of all films
Hollywood Singing & Dancing: A Musical History - 1960's (not in the MovieCove catalog yet)(2009)

Death In Hollywood (not in the MovieCove catalog yet)(1990)

Hollywood Heaven: Tragic Lives, Tragic Deaths (not in the MovieCove catalog yet)(1990)

Brainstorm(1983)
Midcredits score: 58th percentile of all films
Midcredits score: 95th percentile of all films (provisional, few ratings)
The Memory of Eva Ryker(1980)
Midcredits score: 61st percentile of all films
Midcredits score: 23rd percentile of all filmsFrom Here to Eternity (not in the MovieCove catalog yet)(1980)

Meteor(1979)
Midcredits score: 12th percentile of all films
Hart to Hart (not in the MovieCove catalog yet)(1979)

The Cracker Factory (not in the MovieCove catalog yet)(1979)

From Here to Eternity (not in the MovieCove catalog yet)(1979)

Cat on a Hot Tin Roof(1976)
Midcredits score: 69th percentile of all films
Laurence Olivier Presents (not in the MovieCove catalog yet)(1976)

Peeper(1975)
Midcredits score: 27th percentile of all films
Switch (not in the MovieCove catalog yet)(1975)

The Affair(1973)
Midcredits score: 11th percentile of all films
The Candidate(1972)
Midcredits score: 81st percentile of all films
Midcredits score: 73rd percentile of all films
Penelope(1966)
Midcredits score: 49th percentile of all films
Midcredits score: 80th percentile of all films
Inside Daisy Clover(1965)
Midcredits score: 48th percentile of all films
The Great Race(1965)
Midcredits score: 86th percentile of all films
Sex and the Single Girl(1964)
Midcredits score: 61st percentile of all films
Midcredits score: 88th percentile of all films
Gypsy(1962)
Midcredits score: 82nd percentile of all films
West Side Story(1961)
Midcredits score: 93rd percentile of all films
Splendor in the Grass(1961)
Midcredits score: 95th percentile of all films
Midcredits score: 40th percentile of all films
Cash McCall(1960)
Midcredits score: 59th percentile of all films
Kings Go Forth(1958)
Midcredits score: 62nd percentile of all films
Marjorie Morningstar(1958)
Midcredits score: 51st percentile of all films
Bombers B-52(1957)
Midcredits score: 39th percentile of all films
The Girl He Left Behind(1956)
Midcredits score: 21st percentile of all films
The Burning Hills(1956)
Midcredits score: 35th percentile of all films
A Cry in the Night(1956)
Midcredits score: 41st percentile of all films
The Deadly Riddle (not in the MovieCove catalog yet)(1956)

The Searchers(1956)
Midcredits score: 96th percentile of all films
Feathertop (not in the MovieCove catalog yet)(1955)

Rebel Without a Cause(1955)
Midcredits score: 94th percentile of all films
Heidi (not in the MovieCove catalog yet)(1955)
Kings Row (not in the MovieCove catalog yet)(1955)

One Desire(1955)
Midcredits score: 44th percentile of all films
Too Old for Dolls (not in the MovieCove catalog yet)(1955)

The Wild Bunch (not in the MovieCove catalog yet)(1955)

The Silver Chalice(1954)
Midcredits score: 9th percentile of all films
Sherwood Anderson's I'm A Fool (not in the MovieCove catalog yet)(1954)

Studio 57 (not in the MovieCove catalog yet)(1954)

Return of the Dead (not in the MovieCove catalog yet)(1954)

Playmates (not in the MovieCove catalog yet)(1954)

Mayor of the Town (not in the MovieCove catalog yet)(1954)

The Pride of the Family (not in the MovieCove catalog yet)(1953)

General Electric Theater (not in the MovieCove catalog yet)(1953)

The Star(1952)
Midcredits score: 76th percentile of all films
Just for You (not in the MovieCove catalog yet)(1952)

Four Star Playhouse(1952)
Midcredits score: 65th percentile of all shows
The Rose Bowl Story(1952)
Midcredits score: 12th percentile of all filmsChevron Theatre (not in the MovieCove catalog yet)(1952)

The Blue Veil (not in the MovieCove catalog yet)(1951)

Dear Brat(1951)
Midcredits score: 32nd percentile of all films
The Jackpot (not in the MovieCove catalog yet)(1950)

The Jack Benny Program (not in the MovieCove catalog yet)(1950)

Never a Dull Moment (not in the MovieCove catalog yet)(1950)

Our Very Own (not in the MovieCove catalog yet)(1950)

No Sad Songs for Me(1950)
Midcredits score: 64th percentile of all films
Father Was a Fullback(1949)
Midcredits score: 53rd percentile of all films
The Green Promise(1949)
Midcredits score: 59th percentile of all films
Chicken Every Sunday (not in the MovieCove catalog yet)(1949)

Studio One (not in the MovieCove catalog yet)(1948)

Scudda Hoo! Scudda Hay!(1948)
Midcredits score: 36th percentile of all films
Driftwood(1947)
Midcredits score: 76th percentile of all films
Miracle on 34th Street(1947)
Midcredits score: 97th percentile of all films
The Ghost and Mrs. Muir(1947)
Midcredits score: 97th percentile of all films
The Bride Wore Boots(1946)
Midcredits score: 42nd percentile of all films
Tomorrow Is Forever(1946)
Midcredits score: 86th percentile of all films
Happy Land (not in the MovieCove catalog yet)(1943)

The Moon Is Down(1943)
Midcredits score: 77th percentile of all films
Career shape
Star power in the 99th percentile of 239,109 people with a billed film role, over a full career of 81 titles from 1943 to 2026; peak year 1961.

Biggest box office
West Side Story (1961)

Highest rated
Miracle on 34th Street (1947)

Most popular right now
Sex and the Single Girl (1964)
Film career
Peak 1961 · fewer prominent film roles lately. Top draw in 14 MovieCove titles. Film roles by billing, audience size and rating; 25+ votes. A show carries a single first-air date, so shows are not on the curve.
- 1946Screen debut· Tomorrow Is Forever
- 1961First top-billed film· Splendor in the Grass
- 1961Career best· West Side Story
Billing
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored. Billing is TMDB cast order for roles with 25+ votes, billed in the top 30; the columns are the share of top-billed roles in each era, 5-year spans from the year on the label, merged until each holds at least 5 roles.
How do Natalie Wood's films land?
Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 46; across their 42 films with reception data, the typical film sits in the 60th percentile for acclaim.
- 75th and up17
- 50th to 74th12
- 25th to 49th12
- Below 25th6
Shape of the crowd
21 of their 47 titles are Crowd Pleasers.
- Universally Loved7
- Crowd Pleaser21
- Broadly Agreed4
- Mixed15
Reviewers score the acting 70/100 in their films, across 40 reviewed titles; fans 79, detractors 43. The element that speaks to their work as an actor.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Natalie Wood's work okay for kids?
Across up to 11 MovieCove titles with content scores, profanity runs lighter than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Natalie Wood work with?
People who share at least 2 of Natalie Wood's MovieCove titles, grouped by what they did on them; Jim Backus shares the most, 4.
Directors
- Gilbert CatesShared titles: The Last Married Couple in America (1980), The Affair (1973)See all 2 shared titles with Gilbert Cates

- Robert MulliganShared titles: Inside Daisy Clover (1965), Love with the Proper Stranger (1963)See all 2 shared titles with Robert Mulligan

- Stuart HeislerShared titles: The Burning Hills (1956), The Star (1952)See all 2 shared titles with Stuart Heisler

- Irving PichelShared titles: The Bride Wore Boots (1946), Tomorrow Is Forever (1946)See all 2 shared titles with Irving Pichel

Writers
- Tennessee WilliamsShared titles: Cat on a Hot Tin Roof (1976), This Property Is Condemned (1966)See all 2 shared titles with Tennessee Williams

- Lenore J. CoffeeShared titles: Cash McCall (1960), Tomorrow Is Forever (1946)See all 2 shared titles with Lenore J. Coffee

- Marion HargroveShared titles: Cash McCall (1960), The Girl He Left Behind (1956)See all 2 shared titles with Marion Hargrove
- Irving WallaceShared titles: Bombers B-52 (1957), The Burning Hills (1956)See all 2 shared titles with Irving Wallace
Actors
- Jim BackusShared titles: The Girl He Left Behind (1956), Rebel Without a Cause (1955), The Rose Bowl Story (1952), Father Was a Fullback (1949)See all 4 shared titles with Jim Backus

- Maureen O'HaraShared titles: Natalie - A Tribute to a Very Special Lady (1982), Father Was a Fullback (1949), Miracle on 34th Street (1947)See all 3 shared titles with Maureen O'Hara

- Robert RedfordShared titles: Natalie - A Tribute to a Very Special Lady (1982), This Property Is Condemned (1966), Inside Daisy Clover (1965)See all 3 shared titles with Robert Redford

- Karl MaldenShared titles: Meteor (1979), Gypsy (1962), Bombers B-52 (1957)See all 3 shared titles with Karl Malden

Composers, cinematographers and editors
- Charles LangShared titles: Bob & Carol & Ted & Alice (1969), Inside Daisy Clover (1965), Sex and the Single Girl (1964), The Ghost and Mrs. Muir (1947)See all 4 shared titles with Charles Lang

- Max SteinerShared titles: Cash McCall (1960), Marjorie Morningstar (1958), The Searchers (1956), Tomorrow Is Forever (1946)See all 4 shared titles with Max Steiner

- Folmar BlangstedShared titles: The Affair (1973), Marjorie Morningstar (1958), A Cry in the Night (1956)See all 3 shared titles with Folmar Blangsted
- Harry Stradling Sr.Shared titles: Penelope (1966), Gypsy (1962), Marjorie Morningstar (1958)See all 3 shared titles with Harry Stradling Sr.

Producers
- Alan J. PakulaShared titles: Inside Daisy Clover (1965), Love with the Proper Stranger (1963)See all 2 shared titles with Alan J. Pakula

- Walter MirischShared titles: West Side Story (1961), The Rose Bowl Story (1952)See all 2 shared titles with Walter Mirisch

- Richard WhorfShared titles: Bombers B-52 (1957), The Burning Hills (1956)See all 2 shared titles with Richard Whorf

- Fred KohlmarShared titles: Father Was a Fullback (1949), The Ghost and Mrs. Muir (1947)See all 2 shared titles with Fred Kohlmar
Mixed roles
- Sydney PollackShared titles: Natalie - A Tribute to a Very Special Lady (1982), This Property Is Condemned (1966)See all 2 shared titles with Sydney Pollack

- Richard QuineShared titles: Sex and the Single Girl (1964), No Sad Songs for Me (1950)See all 2 shared titles with Richard Quine
