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Teo Usuelli

Composer

Works as
Composer
Titles
9 on MovieCove · 38 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 39 days to Oct 28Down 11% in 30 days

What are Teo Usuelli's films like?

Across their 9 MovieCove titles with a thematic analysis, their films lean Power and Bonds.

Genres

Comedy5 titlesTypical Midcredits score: 46th percentile, at or above their average across these genres
: browse their Comedy movies
Adventure3 titlesTypical Midcredits score: 10th percentile
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Power
33%
Bonds
21%
Society
17%
Morality
13%
Survival
9%
Self
7%
Romantic love2 titles, browse their movies with this themeSurvival2 titles, browse their movies with this theme

What they feel like to watch

their average across 9 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 5 · Serious 3 · Dark 1

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 5 · Stylized 3 · Heightened 1

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 2 · Charged 6 · Intense 1

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 5 · Shifting 3 · Whiplash 1

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

Straight-faced 3 · Some laughs 3 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 4 · Even-paced 5 · Relentless 0

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 7 · Engaged 2 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 9 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
4
Joyful
3
Melancholic
3
Warm
3
Absurd
2
Other
5

How their films linger

Fun4 titles, browse their movies with this aftertasteFeel-good4 titles, browse their movies with this aftertasteBittersweet3 titles, browse their movies with this aftertasteHaunting2 titles, browse their movies with this aftertaste

How their films end · 1 with a twist

  • Happy3
  • Bittersweet3
  • Tragic3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Teo Usuelli's films?

As of October 24, 2026, 5 of their 9 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Also on these channels

Subscription and free streaming for Teo Usuelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

38 credits, 9 with a MovieCove page.

  • Rapporto di un regista su alcune giovani attrici (not in the MovieCove catalog yet)(2008)

    Composer

  • The Furrow of the Peach (not in the MovieCove catalog yet)(1976)

    Composer

  • The Princess and the Goat Boy (not in the MovieCove catalog yet)(1975)

    Composer

  • A proposito dell'Angola (not in the MovieCove catalog yet)(1973)

    Music Supervisor

  • The Bloodstained Lawn (not in the MovieCove catalog yet)(1973)

    Composer

  • 3000 Million Without an Elevator (not in the MovieCove catalog yet)(1972)

    Composer

  • The Audience (not in the MovieCove catalog yet)(1972)

    Composer

  • Amuck!(1972)

    Composer · Music Director

    Midcredits score: 48th percentile of all films

  • The Golden Ass (not in the MovieCove catalog yet)(1970)

    Composer

  • Mio Mao: Fatiche ed avventure di alcuni giovani occidentali per introdurre il vizio in Cina (not in the MovieCove catalog yet)(1970)

    Composer

  • Nailed Lips (not in the MovieCove catalog yet)(1970)

    Composer

  • The Seed of Man (not in the MovieCove catalog yet)(1969)

    Composer

  • Dillinger Is Dead (not in the MovieCove catalog yet)(1969)

    Composer

  • The Sexual Revolution (not in the MovieCove catalog yet)(1968)

    Composer

  • Una malattia che si chiama Sud (not in the MovieCove catalog yet)(1968)

    Compositor

  • The Man with the Balloons (not in the MovieCove catalog yet)(1967)

    Composer

  • The Seventh Floor (not in the MovieCove catalog yet)(1967)

    Composer

  • Una rete piena di sabbia (not in the MovieCove catalog yet)(1967)

    Composer

  • The Wedding March (not in the MovieCove catalog yet)(1966)

    Composer

  • Kiss the Other Sheik(1965)

    Composer

    Midcredits score: 46th percentile of all films

  • Operation Atlantis(1965)

    Composer

    Midcredits score: 4th percentile of all films

  • I grandi condottieri(1965)

    Composer

    Midcredits score: 10th percentile of all films

  • Saul e David(1964)

    Composer

    Midcredits score: 23rd percentile of all films

  • Controsesso (not in the MovieCove catalog yet)(1964)

    Composer

  • Slave Trade in the World Today (not in the MovieCove catalog yet)(1964)

    Composer

  • The Ape Woman(1964)

    Composer

    Midcredits score: 89th percentile of all films

  • Naked World (not in the MovieCove catalog yet)(1963)

    Composer

  • The Conjugal Bed(1963)

    Composer

    Midcredits score: 71st percentile of all films

  • Jacob: The Man Who Fought with God (not in the MovieCove catalog yet)(1963)

    Composer

  • Akiko (not in the MovieCove catalog yet)(1961)

    Composer

  • Madri pericolose(1960)

    Composer

    Midcredits score: 13th percentile of all films (provisional, few ratings)

  • Gloria della Marciana (not in the MovieCove catalog yet)(1959)

    Composer

  • Il raccomandato di ferro (not in the MovieCove catalog yet)(1959)

    Composer

  • Donne e soldati(1954)

    Composer · Music Arranger

    Midcredits score: 13th percentile of all films (provisional, few ratings)

  • 100 Years of Love (not in the MovieCove catalog yet)(1954)

    Composer

  • Pittori di provincia (I Macchiaioli) (not in the MovieCove catalog yet)(1953)

    Composer

  • Blame the Sun (not in the MovieCove catalog yet)(1951)

    Composer

  • The Funicular of Mount Faloria (not in the MovieCove catalog yet)(1950)

    Composer

Career shape

A full career of 38 titles from 1950 to 2008.

Highest rated

The Ape Woman (1964)

Midcredits 89th

By role

only this rolewith another role
Music36 of 38: 34 only music, 2 with another role · typical Midcredits score23rdOther crew4 of 38: 2 only other crew, 2 with another role

By decade

1950s7 · crew1960s20 · crew1970s10 · crew2000s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Teo Usuelli's films land?

Their typical MovieCove film has a Midcredits score in the 23rd percentile, the median of all 9; across their 9 films with reception data, the typical film sits in the 19th percentile for acclaim.

Acclaim · how much people like their films

19thpercentile
Typical film, the median of 9

Approval · how many liked their films

35thpercentile
Typical film, the median of 9

Reach · how many have seen their films

15thpercentile
Typical film, the median of 9

Midcredits score across 9 titles, by percentile

  • 75th and up1
  • 50th to 74th1
  • 25th to 49th2
  • Below 25th5

Shape of the crowd

3 of their 9 titles are Mixed.

  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser2
  • Broadly Agreed2
  • Mixed3

Most divisive · composer

Saul e David (1964)

71st percentile spread · 30% rated it 4 or lower

Most loved · composer

The Ape Woman (1964)

Midcredits 89th · 78% liked

Reviewers score the sound and music 59/100 in their films, across 4 reviewed titles; fans 74, detractors 55. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Teo Usuelli work with?

People who share at least 2 of Teo Usuelli's MovieCove titles, grouped by what they did on them; Marco Ferreri shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers