Cino Del Duca

What are Cino Del Duca's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Cino Del Duca's films?

As of October 24, 2026, 2 of their 8 MovieCove titles stream on a subscription or free service, on The Criterion Channel (2).

• The Criterion Channel2 titles, browse their movies on this service
  • Accattone (1961) · producer
  • Bell' Antonio (1960) · producer

Subscription and free streaming for Cino Del Duca's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

8 credits, 8 with a MovieCove page.

• 

  Accattone(1961)

  Producer

  Midcredits score: 95th percentile of all films95^th
• 

  Bell' Antonio(1960)

  Producer

  Midcredits score: 87th percentile of all films87^th
• 

  The Widower(1959)

  Producer

  Midcredits score: 90th percentile of all films90^th
• 

  The Year Long Road(1958)

  Producer

  Midcredits score: 62nd percentile of all films62^nd
• 

  Marguerite de la nuit(1955)

  Producer

  Midcredits score: 47th percentile of all films47^th
• 

  School for Love(1955)

  Producer

  Midcredits score: 14th percentile of all films14^th
• 

  Air of Paris(1954)

  Producer

  Midcredits score: 68th percentile of all films68^th
• 

  Touchez pas au grisbi(1954)

  Producer

  Midcredits score: 96th percentile of all films96^th

Career shape

Across their 8 MovieCove titles from 1954 to 1961.

Biggest box office

Touchez pas au grisbi (1954)

$132K worldwide

Highest rated

Touchez pas au grisbi (1954)

Midcredits 96^th

How do Cino Del Duca's films land?

Their typical MovieCove film has a Midcredits score in the 78^th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 76^th percentile for acclaim.

Shape of the crowd

None of their 8 titles divides audiences: 5 are Crowd Pleasers.

251

• Universally Loved2
• Crowd Pleaser5
• Mixed1

Most loved · producer

Touchez pas au grisbi (1954)

Midcredits 96^th · 85% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Cino Del Duca work with?

People who share at least 2 of Cino Del Duca's MovieCove titles, grouped by what they did on them; Pier Paolo Pasolini shares the most, 2.